Nostromo

a tale of the seaboard

No cover

Joseph Conrad: Nostromo (1992, Knopf, Distributed by Random House)

532 pages

English language

Published Oct. 3, 1992 by Knopf, Distributed by Random House.

ISBN:
978-0-679-40990-8
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2 stars (3 reviews)

A gripping tale of capitalist exploitation and rebellion, set amid the mist-shrouded mountains of a fictional South American republic, employs flashbacks and glimpses of the future to depict the lure of silver and its effects on men. Conrad's deep moral consciousness and masterful narrative technique are at their best in this, one of his greatest works.

7 editions

reviewed Nostromo by Joseph Conrad (Dover thrift editions)

Review of 'Nostromo' on 'LibraryThing'

2 stars

After a year of false starts, I finally admitted I just couldn't get into this book. It's strange because I've loved a lot of Conrad's work, and I certainly see the same beauty of writing here, but this one just wasn't grabbing me. I don't know if it's the slower pace than most of his (but his other relatively long books also start slowly), that he was writing further outside his experience than usual, or that I've changed and some of the troubling things about Conrad now bother me more than they used to.

reviewed Nostromo by Joseph Conrad (Dover thrift editions)

Review of 'Nostromo' on 'GoodReads'

2 stars

After a year of false starts, I finally admitted I just couldn't get into this book. It's strange because I've loved a lot of Conrad's work, and I certainly see the same beauty of writing here, but this one just wasn't grabbing me. I don't know if it's the slower pace than most of his (but his other relatively long books also start slowly), that he was writing further outside his experience than usual, or that I've changed and some of the troubling things about Conrad now bother me more than they used to.

reviewed Nostromo by Joseph Conrad (Dover thrift editions)

Review of 'Nostromo' on 'LibraryThing'

2 stars

After a year of false starts, I finally admitted I just couldn't get into this book. It's strange because I've loved a lot of Conrad's work, and I certainly see the same beauty of writing here, but this one just wasn't grabbing me. I don't know if it's the slower pace than most of his (but his other relatively long books also start slowly), that he was writing further outside his experience than usual, or that I've changed and some of the troubling things about Conrad now bother me more than they used to.

Subjects

  • Revolutions -- Fiction
  • Sailors -- Fiction
  • Latin America -- Fiction