The Bell Jar - Wyrms.de

No cover — Sylvia Plath: The Bell Jar (2009)

English language

Published June 29, 2009

ISBN:: 978-0-571-24564-2

(2 reviews)

The Bell Jar is the only novel written by the American writer and poet Sylvia Plath. Originally published under the pseudonym "Victoria Lucas" in 1963, the novel is semi-autobiographical with the names of places and people changed. The book is often regarded as a roman à clef because the protagonist's descent into mental illness parallels Plath's own experiences with what may have been clinical depression or bipolar II disorder. Plath died by suicide a month after its first United Kingdom publication. The novel was published under Plath's name for the first time in 1967 and was not published in the United States until 1971, in accordance with the wishes of both Plath's husband, Ted Hughes, and her mother. The novel has been translated into nearly a dozen languages.

8 editions

isa reviewed The Bell Jar by Sylvia Plath (Faber paper covered editions)

"Darkly Funny" is apt

4 stars

Content warning Mentions of depression and racism

Esther is an interesting but (in my eyes) unsympathetic character. She has a certain manipulative streak that unsettles me. But she makes up for it by being quite humorous at times, intentional or not. Sometimes I can't quite tell if she is self aware enough of herself.

Plath, however, is completely self aware. She inserts humour in unexpected places. She makes acute observations about the characters. She is a little cynical. It's evident that Plath is in a precocious place in her psyche. And she turns it into a beautiful work of art.

It would be remiss to praise Plath but not address her racism in this book. She continuously uses "Chinaman/woman" as descriptor and an insult. She writes a grotesque caricature of a Black man in one scene. It did not wholely take me out of the reading though, since it seems very in line with Esther's character, but it is something that should be taken note of since Esther is practically an avatar for Plath's own psyche.

As for how I felt about this book... I enjoyed it. There were a lot of moments where I inwardly cringed at Esther's behaviour. But I still found her character completely compelling. It was dark, yes. An accurate portrayal of depression, yes. And an interesting look into how mental health and women are treated in the 1950s. I feel like the end kind of went over my head and will need to read this again at one point.

Stephanie Jane reviewed The Bell Jar by Sylvia Plath (Faber paper covered editions)

Surprisingly matter of fact when describing horror

4 stars

I am lucky to have read The Bell Jar by choice, borrowing a copy from a friend who also loved the book, rather than having to read it for school and I think these different approaches significantly influence how people feel about Plath's semi-autobiographical novel. At the very beginning I was reminded of Rona Jaffe's The Best Of Everything which was written around the same time and also examines the lives of young women in New York. However it is Plath's rejection of society's restricted expectations for women which, for me, made The Bell Jar an interesting novel and The Best Of Everything seem somewhat vacuous.

I was surprised at Plath's matter-of-fact language, especially when describing some of the horrors of what passed for mental health care in 1950s America. I think it is this removal from herself which was the strongest symptom of her breakdown, but it made it …

I am lucky to have read The Bell Jar by choice, borrowing a copy from a friend who also loved the book, rather than having to read it for school and I think these different approaches significantly influence how people feel about Plath's semi-autobiographical novel. At the very beginning I was reminded of Rona Jaffe's The Best Of Everything which was written around the same time and also examines the lives of young women in New York. However it is Plath's rejection of society's restricted expectations for women which, for me, made The Bell Jar an interesting novel and The Best Of Everything seem somewhat vacuous.

I was surprised at Plath's matter-of-fact language, especially when describing some of the horrors of what passed for mental health care in 1950s America. I think it is this removal from herself which was the strongest symptom of her breakdown, but it made it difficult for me to get under the skin of her writing. I am used to more overt emotion. I found myself wondering how much of The Bell Jar was actually fiction and how much truth. Being always aware that Plath did commit suicide shortly after the book was first published coloured my reading of it, especially in scenes where Esther feels herself blocked from following her dreams due to her gender and where the opposite applies and she meets role model career women - writers, doctors, psychiatrists - but does not recognise the potential of their example, locked away as she is in her metaphorical bell jar.