Michael Gouker rated The Raven Tower: 3 stars
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The Raven Tower by Ann Leckie
Listen. A god is speaking. My voice echoes through the stone of your master's castle. The castle where he finds …
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Listen. A god is speaking. My voice echoes through the stone of your master's castle. The castle where he finds …
HARRY DRESDEN IS BACK AND READY FOR ACTION, in the new entry in the #1 New York Times bestselling Dresden …
Ten years ago outside Browning, Montana, four Blackfeet shot some elk, and then went on with their lives. It happens …
In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings …
Roanhorse has created a lush world and a set of flawed yet endearing characters. The story is the first in a series, so you are left wanting to read the sequel (which isn't done at the moment), so it succeeds as a delicious tease too.
This has tips on how to find your poetic voice, some references to beautiful poems (only a few poems, more references which are an Internet search away from reward), and good writer advice too. It's a worthy read.
I had this text for a poetry class. Addonizio is a good poet with several excellent books published, which are better sources for her writing. This book shares the joy of poetry (the experience of reading and writing it), but I don't think you can learn how to write poetry this way. My advice is to read poetry until something hooks you and then begin your personal exploration.
I recommend you begin with Every Day You Play by Neruda.
Not just a great fantasy novel, but this play on Faust is a brilliant journey through the human condition. The dialogue is excellent, but what Addie shares about love and life and the cost of joy and sorrow is so rewarding. Schwab's writing is top-notch, some of the best I've read in years. The framing device is fun too. I loved it!
Very strange story. The writing is superb, but the story is more about megalomania and psychological abuse than fantasy worlds. I felt the labyrinth is a metaphor for philosophy, and the story is a cautionary tale.
A magical island. A dangerous task. A burning secret.
Linus Baker leads a quiet, solitary life. At forty, he lives …
This is the tales along with Professor Dumbledore's notes.
I think this is a cool worldbuilding trick, a way to give a feeling of in media res after the fact, and Rowling deserves props for this. The tale of the brothers, of course, is mentioned in Deathly Hallows, but Rowling gives the story more depth by surrounding it with cohorts. It really does feel like a small collection of stories for wizard children.
Dumbledore's notes (and his mention of the letters with Malfoy), however, are a bridge too far, accentuating the pause the reader feels in the Harry Potter stories themselves. That is, how was it ok for any good people to know about the anti-muggle affinity of so many wizards and continue to perpetuate the system?
Why did it take Harry and his friends to put the proverbial stick into Voldemort? Where were the adults?