Station Eternity

I'm going to start from this premise: If they had properly marketed this book as a sci-fi thriller or an action sci-fi or something, I probably would have fewer problems with it. I probably wouldn't have spent 300+ pages trying to keep track of clues (that didn't exist) so that I could solve a mystery (that wasn't really there); I would've just gone with the flow, as I did for the remainder of the book. It got better (not good) once I did that, but the marketing was literally the worst part because it established incorrect assumptions and expectations. They told me it was a sci-fi mystery/detective novel... I literally got zero of one of those genres, despite all claims to the contrary (by people who I'm guessing didn't even read the book or have no concept of what makes a mystery).

Beyond that, while it would've been a more tolerable read had they actually tried to set expectations in a better way, it still wasn't good. So much of it is peak white liberal woman writing diversity, not knowing shit about anyone or anything. The aliens are treated very similarly to how we (predominantly but not limited to English-speakers) treat East Asians with regards to their names; I seriously couldn't get that out of my head, especially as the explanation for why there are aliens named Tina, Ferdinand, Stephanie, Algernon and the like... is because it's the "closest approximation in our language" (or some similar rubbish). And all the random social justice throws? A psychiatrist telling a patient off for using the word crazy because it's ableist, the weird handling of race and poking at racist characters (with the single Korean character needing a non-Korean man to tell her what is part of Korean culture because she's "so disconnected")... It kept happening in so many ways that I had to roll my eyes at how White Liberal Lady this book genuinely is.

Along with that, there is very little creativity in the handling of non-human species, even when they are vaguely interesting. The Sundry are a hivemind (but they still act like humans despite being a bunch of insect-like sentients); the Gneiss are rock people (who are still more culturally like humans despite... being fucking rock people). The qualities that make aliens... alien? Aren't really there and are... quite superficial. There's very little deviation based on perspective.

The other thing that ruins this book is the timeline. The timeline is atrocious and difficult to follow, which I'm guessing is how so many people wrongly categorised this as "mystery." A book being obtuse for no real reason and difficult to follow does not... make it a mystery. It makes it annoying. So many chapters could've been pulled from where they were and re-slotted somewhere else to make things coherent, especially when it was never clear what time or place you were in until you were at least half a page into a chapter. Or section, actually! Sometimes the middle of chapters just would suddenly jump without any indication anywhere of what was going on.

My final gripe is with the number of references to Hitchhiker's Guide to the Galaxy. I have no problem with references, but these were at one point so excessive and frequent that it really just felt like "Did you get it? Did you? Did you see it? Get that one? What about that one?!" I wanted to scream because it honestly just made me angry at how many there were. I'm fine with references when they're utilised well, but this was just the equivalent of smashing me in the face with a brick for at least the first half of the book. Annoying as hell.

I wouldn't recommend this, and I have zero desire to read anything else in this series... especially because it's not a mystery like it keeps trying to claim.

<spoiler> I almost never DNF but I just really wasn’t enjoying this. For something that was billed as a science fiction murder mystery series similar to Midsomer Murders (or if that wasn’t the intent, calling the series Midsolar Murders was a huge misstep) there was a distinct lack of on-page murder mystery solving or intrigue. Instead it’s just backstory, 1/3 of a book spent  freaking out about humans moving to the space station, and then after the halfway point new backstory for new point of view characters. It felt like the entire book was basically being used as setup for the intended series without including enough plot or forward movement to make me at all interested in continuing. Or even finishing it, obviously. 

The aliens really bothered me too, they kept making throwaway comments about how humans are fragile bags of water walking around and then themselves turning out to be full of blood also?? Blood is liquid, yes? It implies a liquid vascular system? Or just sentient versions of earth animals like wasps or chameleons, or straight up “just the rock biters from The Neverending Story.” Plus how do we all have the same type of ear canal and eardrums that the translator devices work the same, yet again we keep hearing how wildly different and fragile humans are? </spoiler>

And for me the biggest, and this honestly probably biased me against the rest of the book: you can’t have a throwaway joke about authors arguing about using “singular they” and then have a strictly binary gender system and zero characters that use singular they or other non-binary pronouns without sounding like you come down on the bigoted side!! There aren’t even any acknowledged binary trans characters! Yikes yikes yikes. I mean I’d say it’s just crap anyway not having trans characters at all in your near-future science fiction, but that just rubs in the salt. Will not be reading more by this author.