eBook, 128 pages
English language
Published by Subterranean Press.
Basit Deniau’s houses were haunted to begin with.
A house embedded with an artificial intelligence is a common thing: a house that is an artificial intelligence, infused in every load-bearing beam and fine marble tile with a thinking creature that is not human? That is something else altogether. But now Deniau’s been dead a year, and Rose House is locked up tight, as commanded by the architect’s will: all his possessions and files and sketches are confined in its archives, and their only keeper is Rose House itself. Rose House, and one other.
Dr. Selene Gisil, one of Deniau’s former protégé, is permitted to come into Rose House once a year. She alone may open Rose House’s vaults, look at drawings and art, talk with Rose House’s animating intelligence all she likes. Until this week, Dr. Gisil was the only person whom Rose House spoke to.
But even an animate …
Basit Deniau’s houses were haunted to begin with.
A house embedded with an artificial intelligence is a common thing: a house that is an artificial intelligence, infused in every load-bearing beam and fine marble tile with a thinking creature that is not human? That is something else altogether. But now Deniau’s been dead a year, and Rose House is locked up tight, as commanded by the architect’s will: all his possessions and files and sketches are confined in its archives, and their only keeper is Rose House itself. Rose House, and one other.
Dr. Selene Gisil, one of Deniau’s former protégé, is permitted to come into Rose House once a year. She alone may open Rose House’s vaults, look at drawings and art, talk with Rose House’s animating intelligence all she likes. Until this week, Dr. Gisil was the only person whom Rose House spoke to.
But even an animate intelligence that haunts a house has some failsafes common to all AIs. For instance: all AIs must report the presence of a dead body to the nearest law enforcement agency.
There is a dead person in Rose House. The house says so. It is not Basit Deniau, and it is not Dr. Gisil. It is someone else. Rose House, having completed its duty of care and informed Detective Maritza Smith of the China Lake police precinct that there is in fact a dead person inside it, dead of unnatural causes—has shut up.
No one can get inside Rose House, except Dr. Gisil. Dr. Gisil was not in North America when Rose House called the China Lake precinct. But someone did. And someone died there. And someone may be there still.
Each element is pristine and sun-baked here, like the setting: reluctant detective on the murder case, wealthy aesthetic recluse, mundanely dystopian AI. And as spare translucent noir, I enjoyed it.
It starts like a whodunnit and wanders off to (almost) horror, revisiting the genre of the haunted place. An entertaining read.
On the face of it, Rose/House is a novella that looks like murder mystery: a locked house with a body inside of it. Rose House is the last architectural masterpiece of the late Basit Deniau, with an AI inside controlling/haunting it. Deniau's will stipulates that Selene Gisil is the only person allowed in, and even then she is only allowed in for seven days a year. The local police enlist her to try to get in and investigate this murder. This book dabbles in mystery noir pastiche but its heart feels more like gothic horror.
For me, the crystalizing moment for the atmosphere happened about a third of the way through, when Gisil rules lawyers Maritza into the house that only allows one "person" with a fae bargain:
“Maritza, are you a person or are you the China Lake Precinct? The distinction is significant.” [..].
“I’m the China Lake Precinct …
On the face of it, Rose/House is a novella that looks like murder mystery: a locked house with a body inside of it. Rose House is the last architectural masterpiece of the late Basit Deniau, with an AI inside controlling/haunting it. Deniau's will stipulates that Selene Gisil is the only person allowed in, and even then she is only allowed in for seven days a year. The local police enlist her to try to get in and investigate this murder. This book dabbles in mystery noir pastiche but its heart feels more like gothic horror.
For me, the crystalizing moment for the atmosphere happened about a third of the way through, when Gisil rules lawyers Maritza into the house that only allows one "person" with a fae bargain:
“Maritza, are you a person or are you the China Lake Precinct? The distinction is significant.” [..].
“I’m the China Lake Precinct Police,” said Maritza. She’d have been whatever she had to be to get to that corpse. She believed it, then, and truly. She hasn’t stopped believing it.
“So you are,” said Rose House. “There’s only one person here, and that’s Selene. Come inside, Selene.”
The door opened again. That same easy motion, almost soundless. The same hallway behind it (why had Maritza imagined it would be a different hallway?). Except this time, when she stepped forward, it didn’t close.
“I’m not going in there,” Torres said. “You realize what you just did, Maritza? That AI doesn’t think you’re human. It doesn’t have to care about you—”
In the end, the mystery is both solved and un(re)solved. There are a number of uncertain loose ends around identities and motivations, and especially around Rose House itself. (I love the recharacterization of an AI here as "haunting" the house.) A traditional mystery story would bring the puzzle pieces together into a satisfying whole, while Rose/House instead leaves the reader uneasy and unsettled.
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