19 h 31 min
German language
Published Oct. 6, 2023 by Panini.
Band 1 der Daevabad-Trilogie. Nahri hat nie an die Magie geglaubt. Sie besitzt zwar gewisse Kräfte und gilt auf den Straßen Kairos im 18. Jahrhundert als äußerst talentierte Frau, doch sie weiß es besser. Denn sie schlägt sich nur mit billigen Tricks und Handlesen durch. Als Nahri jedoch versehentlich Dara beschwört, einen ebenso gerissenen wie unheimlichen Dschinnkrieger, sieht sie sich gezwungen, ihre Ansichten zu ändern. Denn Dara erzählt ihr von heißen, windgepeitschten Sanddünen, in denen es von Feuerkreaturen wimmelt, von Flüssen, in denen mythische Wesen schlafen, von einstmals großartigen Metropolen, von Bergen, in denen die kreisenden Raubvögel mehr sind, als sie scheinen und er erzählt von der legendären Stadt aus Messing - eine Stadt, die eine unwiderstehliche Anziehungskraft auf Nahri ausübt. Doch ihr Eintreffen in dieser sagenumwobenen Welt könnte einen seit Jahrhunderten schwärenden Krieg neu entfachen. Denn in Nahri schlummern Kräfte, die so unbändig wie brutal sind ... und nun …
Band 1 der Daevabad-Trilogie. Nahri hat nie an die Magie geglaubt. Sie besitzt zwar gewisse Kräfte und gilt auf den Straßen Kairos im 18. Jahrhundert als äußerst talentierte Frau, doch sie weiß es besser. Denn sie schlägt sich nur mit billigen Tricks und Handlesen durch. Als Nahri jedoch versehentlich Dara beschwört, einen ebenso gerissenen wie unheimlichen Dschinnkrieger, sieht sie sich gezwungen, ihre Ansichten zu ändern. Denn Dara erzählt ihr von heißen, windgepeitschten Sanddünen, in denen es von Feuerkreaturen wimmelt, von Flüssen, in denen mythische Wesen schlafen, von einstmals großartigen Metropolen, von Bergen, in denen die kreisenden Raubvögel mehr sind, als sie scheinen und er erzählt von der legendären Stadt aus Messing - eine Stadt, die eine unwiderstehliche Anziehungskraft auf Nahri ausübt. Doch ihr Eintreffen in dieser sagenumwobenen Welt könnte einen seit Jahrhunderten schwärenden Krieg neu entfachen. Denn in Nahri schlummern Kräfte, die so unbändig wie brutal sind ... und nun erweckt wurden. Epische Fantasy überbordend gefüllt mit schillernder Magie, mächtigen Intrigen, unvergesslichen Charakteren und großartigem World-Building.
ich mag die welt und die magischen wesen. besonders gut finde ich, wie dargestellt wird dass alle meinen das richtige zu tun, aber ihre vorurteile ihnen die sicht verstellen. leider langweilen mich der plot und der schreibstil. hab es bis zum ende durchgehalten, aber ich werde das zweite buch sicher nicht lesen.
City of Brass is the first book in SA Chakraborty's Daevabad medieval Muslim fantasy trilogy. The premise is that an Egyptian thief with mysterious healing powers accidentally summons a warrior djinn; it turns out she is the last of a race of Nahid djinn and is whisked away to a hidden city of Daevabad where she is immediately embroiled in politics.
What I enjoyed the most out of this book was the multilayered and dynamic political and personal tensions. The current Geziri rulers destroyed the previous Nahid/Daeva rulers, now living as ~second class citizens in Daevabad. The historical (and present) conflict between them revolves around Shafit half-djinn who are both required to live in Daevabad and also forced to live in squalor. For me, this is fantasy politics at its best where everybody's grievances and actions are understandable and often there's no good answers.
The two alternating perspectives of this …
City of Brass is the first book in SA Chakraborty's Daevabad medieval Muslim fantasy trilogy. The premise is that an Egyptian thief with mysterious healing powers accidentally summons a warrior djinn; it turns out she is the last of a race of Nahid djinn and is whisked away to a hidden city of Daevabad where she is immediately embroiled in politics.
What I enjoyed the most out of this book was the multilayered and dynamic political and personal tensions. The current Geziri rulers destroyed the previous Nahid/Daeva rulers, now living as ~second class citizens in Daevabad. The historical (and present) conflict between them revolves around Shafit half-djinn who are both required to live in Daevabad and also forced to live in squalor. For me, this is fantasy politics at its best where everybody's grievances and actions are understandable and often there's no good answers.
The two alternating perspectives of this book are from Nahri (the aforementioned Egyptian thief) with her warrior djinn Dara (who is loathed by Geziri and celebrated by Daeva), and the second Geziri prince Ali (stuck up, rule bound, named after Dara's mortal enemy, supports Shafit to the consternation of his father the king and his older brother heir). All of this leads to complicated and messy interactions between the whole cast, where the backdrop of history tinges every relationship.
The start of the book was a bit rocky for me, and had a lot of what felt like info-dumping by Dara on their way to Daevabad. On top of that, it took me a little bit to digest all the different djinn races and fit that into the slow historical reveals. That said, once everything got going, the relationships and politics were great fun to read and the ending really landed a good climax with intriguing developments for the next book.
(I read this because it was off of the #SFFBookClub's backlog, and also because of screamsbeneath's review of the whole series.)
Content warning major spoilers
This is kind of two books, of which the first half was fun but frustrating, and the second half generally better.
In the first half, we're introduced to two main characters in separate worlds. Nahri the orphan who has some strange powers and turns out to be at least partly Djinn-descended, possibly the last survivor of an important dynasty. And Ali a prince in a brutal dynasty that murdered most of Nahri's ancestors, and who is determined to do something about the cruelty. Nahri has to flee her old life for Ali's city. The writing is clunky at times, Ali's a little too good, and it's too obvious that Nahri's flight will succeed, so the epic battle with every kind of magical demon feels more farcical than exciting. But the book's great strength is that this "conclusion" is only halfway through it.
What made the second half work better for me is that Nahri's arrival is such a complicating event in everyone's life, most definitely including her own. Ali ends up thoroughly compromised in ways that make him a much more believable character, and the interwoven strands of everyone lying to and scheming around each other get much more interesting. And I think Chakraborty just took a while to hit her stride as a writer, which makes sense given that this was her first book and not originally written with publication in mind.
At the end I was still a little frustrated. The hooks for the sequel are slightly too obvious and undermine the completeness of this (already long) book, and there are a few too many deus ex machina. But considering how much better the book got as it went along, I am excited about the sequel.
There's a lot of complains about this book; honestly I enjoyed it quite enough. Didn't feel it was slow (but I was listening to it as an audiobook) and didn't have trouble following allegiances nor the rest of the political schemes.
Ends with a good enough cliff hanger making me want to read the sequel
