radio-appears reviewed Who Fears Death by Nnedi Okorafor (Who Fears Death, #1)
Vibrant and raw
I looked it up, "Who Fears Death" isn't a debut novel, but it feels like a debut novel in the best possible way. It's emotionally raw, and slightly unfinished in the sense that you can feel the author poured all her ideas and feelings and all the themes she wanted to explore into this book to the point she couldn't possibly get to all of them. The result is something that's brimming with creativity and life. While the book reads mostly like something targeted at a YA audience, it's frank and direct in its discussion of sex and female sexuality in a way that you wouldn't expect to see outside of adult literature, but it lends a lot of power to the story overall. This is something that matters to the author, and you can tell.
The setting in which magic exists next to the left-over technology from an implied …
I looked it up, "Who Fears Death" isn't a debut novel, but it feels like a debut novel in the best possible way. It's emotionally raw, and slightly unfinished in the sense that you can feel the author poured all her ideas and feelings and all the themes she wanted to explore into this book to the point she couldn't possibly get to all of them. The result is something that's brimming with creativity and life. While the book reads mostly like something targeted at a YA audience, it's frank and direct in its discussion of sex and female sexuality in a way that you wouldn't expect to see outside of adult literature, but it lends a lot of power to the story overall. This is something that matters to the author, and you can tell.
The setting in which magic exists next to the left-over technology from an implied pre-apocalyptic society is very well-developed. Especially the magic system is well-thought-out to the point that I wonder if it's based on a real belief system. It reminds me a bit of the books on witchcraft in Africa I read back when I studied anthropology.
For me, the only real flaw of this book - and this feels like a downside of the same creative force that makes it so enjoyable - is that the second half of the book takes on a bit of road trip plot with way too many stops. While they're all interesting individually, they are too loosely connected and the story loses much of its momentum in this section. It makes me wish that Nnedi Okorafor had had a very stern editor who could've put their foot down and forced her to kill her darlings.
I've seen that she's still a very productive author, and purely based on the covers and descriptions her new books seem to be a bit more mainstream YA fantasy fare. I'd like to pick those up to see what I think as well, but I'm a bit apprehensive. I'd be surprised if they contain the same raw, frank emotional force as Who Fears Death, as that is, admittedly, not its most sellable quality. But I can't imagine Okorafor's work not suffering from sanding down those rough edges.