This Gothic novella tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. Carmilla predates Bram Stoker's Dracula by 25 years, and has been adapted many times for cinema. Although Carmilla is a lesser known and far shorter Gothic vampire story than the generally-considered master work of that genre, Dracula, the latter is heavily influenced by Le Fanu's short story.
Interesting dive into the origins of vampire novels
4 stars
Very interesting read! Gives some insight into the early stages of vampire novels and how connected it was with sexual desire and queerness from the very beginning. And although the perspective on queerness is definitely a negative one, I still think there is something to be gained from this in the name of reclaming what they use against us.
Can highly recommend it, especially since such a short read.
Sheridan Le Fanu's 1871 novel, Carmilla, predates Bram Stoker's more famous Dracula by about twenty six years and, after having read Pushkin Press' newly published edition, I'm surprised this story isn't much better known. Admittedly it is written in a typically Victorian gothic style so lots of telling description, and a slow pace, but Le Fanu builds up a suitably chilling atmosphere and I particularly appreciated that three of the central characters are female. There might even be hints of an obsessive love affair between two of them.
I wondered whether contemporary readers of the original publication were as aware of the vampiric storyline or if its denouement in a late scene came as a shock to them. Reading Carmilla now, I could see the tropes neatly lining up as the story progressed - although Le Fanu's creatures have distinct differences to accepted present-day vampire lore - so wasn't surprised …
Sheridan Le Fanu's 1871 novel, Carmilla, predates Bram Stoker's more famous Dracula by about twenty six years and, after having read Pushkin Press' newly published edition, I'm surprised this story isn't much better known. Admittedly it is written in a typically Victorian gothic style so lots of telling description, and a slow pace, but Le Fanu builds up a suitably chilling atmosphere and I particularly appreciated that three of the central characters are female. There might even be hints of an obsessive love affair between two of them.
I wondered whether contemporary readers of the original publication were as aware of the vampiric storyline or if its denouement in a late scene came as a shock to them. Reading Carmilla now, I could see the tropes neatly lining up as the story progressed - although Le Fanu's creatures have distinct differences to accepted present-day vampire lore - so wasn't surprised to be shown the truth. What I did like was seeing Laura's dawning realisation as she hears the exact story of her own experiences being told in relation to someone else - someone now deceased!
I would recommend Carmilla to readers of classic novels, certainly, but also to vampire story fans who are curious as to how the genre has changed and matured over the past 150 years. Carmilla is quite a short novel which I comfortably read in an afternoon. It doesn't have the action, the gore or the sass of its present-day successors, but it does have an appealing charm which drew me in and kept me interested.
A Victorian-era Gothic novel that is thrilling. I especially like the dynamic of the girl's building anxiety when the General takes them to the ruin and tells the story of his daughter. Carmilla is quite a vicious monster. I would have liked it more had her execution been more illuminated. I realize the "author" of the memoir wasn't there for the killing, but it would have made a more scary novel.
