294 pages
English language
Published Oct. 30, 2018 by Alfred A. Knopf.
Not since Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Louise Erdrich's Love Medicine has such a powerful and urgent Native American voice exploded onto the landscape of contemporary fiction.
Tommy Orange's There There introduces a brilliant new author at the start of a major career. "We all came to the powwow for different reasons. The messy, dangling threads of our lives got pulled into a braid--tied to the back of everything we'd been doing all along to get us here. There will be death and playing dead, there will be screams and unbearable silences, forever-silences, and a kind of time-travel, at the moment the gunshots start, when we look around and see ourselves as we are, in our regalia, and something in our blood will recoil then boil hot enough to burn through time and place and memory. We'll go back to where we came from, …
Not since Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Louise Erdrich's Love Medicine has such a powerful and urgent Native American voice exploded onto the landscape of contemporary fiction.
Tommy Orange's There There introduces a brilliant new author at the start of a major career. "We all came to the powwow for different reasons. The messy, dangling threads of our lives got pulled into a braid--tied to the back of everything we'd been doing all along to get us here. There will be death and playing dead, there will be screams and unbearable silences, forever-silences, and a kind of time-travel, at the moment the gunshots start, when we look around and see ourselves as we are, in our regalia, and something in our blood will recoil then boil hot enough to burn through time and place and memory. We'll go back to where we came from, when we were people running from bullets at the end of that old world. The tragedy of it all will be unspeakable, that we've been fighting for decades to be recognized as a present-tense people, modern and relevant, only to die in the grass wearing feathers."
Jacquie Red Feather is newly sober and trying to make it back to the family she left behind in shame in Oakland. Dene Oxedrene is pulling his life together after his uncle's death and has come to work the powwow and to honor his uncle's memory. Edwin Frank has come to find his true father. Bobby Big Medicine has come to drum the Grand Entry. Opal Viola Victoria Bear Shield has come to watch her nephew Orvil Red Feather; Orvil has taught himself Indian dance through YouTube videos, and he has come to the Big Oakland Powwow to dance in public for the very first time. Tony Loneman is a young Native American boy whose future seems destined to be as bleak as his past, and he has come to the Powwow with darker intentions--intentions that will destroy the lives of everyone in his path. Fierce, angry, funny, groundbreaking--Tommy Orange's first novel is a wondrous and shattering portrait of an America few of us have ever seen.
There There is a multi-generational, relentlessly paced story about violence and recovery, hope and loss, identity and power, dislocation and communion, and the beauty and despair woven into the history of a nation and its people. A glorious, unforgettable debut
Disappointed. The writing was immaculate, addressing the plight of Native Americans in cities, Oakland was well represented, but it was sooo constructed. Too many characters, and not clear why, that also all are related or discover connections. Jumps too quickly between characters, and the story becomes very weird in the end.
I learned about this book because the author came to my school freshman year. I didn't get one of the free copies they were giving out at the time, but it stayed on my mind and I saw it as an audiobook so I figured I'd check it out. Oh boy, what a journey, harder and harder to put down. If you're familiar with "The Overstory" by Richard Powers, you're introduced to several different characters with some common themes that link them to a major event—that is what came to mind when reading this book structure wise. I never finished "the Overstory" and I wouldn't compare the plot otherwise. For "There There", the final event, as well as things that happen to characters of various indigenous descent, all connected to Oakland, will sit with you for a long time. It's different from other books by indigenous folx, I've read with …
I learned about this book because the author came to my school freshman year. I didn't get one of the free copies they were giving out at the time, but it stayed on my mind and I saw it as an audiobook so I figured I'd check it out. Oh boy, what a journey, harder and harder to put down. If you're familiar with "The Overstory" by Richard Powers, you're introduced to several different characters with some common themes that link them to a major event—that is what came to mind when reading this book structure wise. I never finished "the Overstory" and I wouldn't compare the plot otherwise. For "There There", the final event, as well as things that happen to characters of various indigenous descent, all connected to Oakland, will sit with you for a long time. It's different from other books by indigenous folx, I've read with an emphasis on cultural loss/revitalization/reclamation in an urban context. It reminds me more of what I've heard from indigenous podcasts about current indigenous issues. I really enjoyed the role of grandmothers in this book as well.
Wonderful, insightful writing on a depressing, yet important topic. My favorite part of the book was the "Blood" section of the "Interlude".
Overall an excellent read, though I enjoyed the first 2/3 more than the ending. The first person chapters felt stronger and much more character-development-rich than the later third person ones did. I found Opal and Jacquie to be the most interesting; Opal's perspective of the time she spends at Alcatraz was my favorite chapter in the book. Excited to check out the playlist Tommy Orange made for the book: open.spotify.com/playlist/7mCLMPEZhEohsZXS2SDuq1?si=pTVshsizRCWNGRIzUIhfuw
