In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus.
Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic …
In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus.
Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects--a pig--develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet.
From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resilience of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe.
A very emotional and structurally interesting book - somewhere between a set of short stories and a set of chapters with very varied styles and points of view.
I loved the ways the stories were connected to each other, and the best of them were absolutely heartrending pictures of grief, fear, and mourning. Many of them did live on in my mind for some time afterwards. But towards the end I felt like some of the broader attempts to pull it all together in one arc didn't quite land for me.
I read this for the #SFFBookClub January book pick. How High We Go in the Dark is a collection of interconnected short stories dealing with death, grief, and remembrance in the face of overwhelming death and a pandemic. Despite getting very dark, I was surprised at the amount of hopefulness to be found in the face of all of this.
It was interesting to me that this collection had been started much earlier and the Arctic plague was a later detail to tie everything together. Personally, I feel really appreciative of authors exploring their own pandemic-related feelings like this; they're certainly not often comfortable feelings, but it certainly helps me personally, much more than the avoidance and blinders song and dance that feels on repeat everywhere else in my life.
It's hard for me to evaluate this book as a whole. I deeply enjoyed the structural setup, and seeing background …
I read this for the #SFFBookClub January book pick. How High We Go in the Dark is a collection of interconnected short stories dealing with death, grief, and remembrance in the face of overwhelming death and a pandemic. Despite getting very dark, I was surprised at the amount of hopefulness to be found in the face of all of this.
It was interesting to me that this collection had been started much earlier and the Arctic plague was a later detail to tie everything together. Personally, I feel really appreciative of authors exploring their own pandemic-related feelings like this; they're certainly not often comfortable feelings, but it certainly helps me personally, much more than the avoidance and blinders song and dance that feels on repeat everywhere else in my life.
It's hard for me to evaluate this book as a whole. I deeply enjoyed the structural setup, and seeing background characters narrate their own chapters added quite a bit of emotional nuance. Pig Son especially would have hit differently without the background from a few chapters earlier. Some of the stories were quite full of knives, but my one complaint is that some stories in the back half felt like retreading similar grounds of grief and remembrance; they just didn't have the same level of impact for me. Both the final chapter and the title-generating chapter were thematically strong, but didn't quite carry the same level of emotional weight or closure that I wanted. I am not sure subjectively why I felt this way, but I think this is some of the flipside of its short story nature--that there's only a consistent emotional thread running through the book rather than a character or plot arc.
I'm really glad to have read this, and feel like a lot of these stories and feelings are going to stick with me for a long while.
A series of bleak, gritty glimpses of what's in store for us over the next few decades.
The tone is lightened a bit here and there with injections of optimism, but I think it works against itself a little when the optimism feels unwarranted.
The way that the characters from the different stories are linked reminds me a bit of Cloud Atlas (although I only saw the movie (sorry)).
Von Trauer, Tod (CN!) und der Zukunft der Menschheit
No rating
"How High We Go In the Dark" erzählt die Zukunft der Menschheit mit einer ganz besonderen Prämisse: Ein urzeitliches Virus taut aus dem Permafrost Sibiriens auf und zieht um die Welt - nicht so schnell wie in den letzten Jahren Corona, aber genauso gründlich und viel tödlicher. Anstatt nun aber einen wilden Technothriller zu inszenieren, entscheidet sich Autor Sequoia Nagamtasu dafür, den Umgang der Menschen mit dem allgegenwärtigen Tod und der Trauer in den Blick zu nehmen: Er zeichnet Jahrzehnte, in denen die globale Gesellschaft den Umgang mit dem Tod in den Mittelpunkt rückt. Aus Platzmangel werden neuartige Formen der Beerdigung nötig, die den Angehörigen aber - anders als z. B. Massengräber - ein angemessenes Trauern oder Abschied-Nehmen ermöglichen. Hierzu entwickeln sich neue Wirtschaftszweige und neue Technologien. Gleichzeitig bleibt immer die Hoffnung auf einen Ausweg, eine Impfung oder eine Heilung...
Das Buch ist nicht als zusammenhängende Geschichte erzählt, sondern als …
"How High We Go In the Dark" erzählt die Zukunft der Menschheit mit einer ganz besonderen Prämisse: Ein urzeitliches Virus taut aus dem Permafrost Sibiriens auf und zieht um die Welt - nicht so schnell wie in den letzten Jahren Corona, aber genauso gründlich und viel tödlicher. Anstatt nun aber einen wilden Technothriller zu inszenieren, entscheidet sich Autor Sequoia Nagamtasu dafür, den Umgang der Menschen mit dem allgegenwärtigen Tod und der Trauer in den Blick zu nehmen: Er zeichnet Jahrzehnte, in denen die globale Gesellschaft den Umgang mit dem Tod in den Mittelpunkt rückt. Aus Platzmangel werden neuartige Formen der Beerdigung nötig, die den Angehörigen aber - anders als z. B. Massengräber - ein angemessenes Trauern oder Abschied-Nehmen ermöglichen. Hierzu entwickeln sich neue Wirtschaftszweige und neue Technologien. Gleichzeitig bleibt immer die Hoffnung auf einen Ausweg, eine Impfung oder eine Heilung...
Das Buch ist nicht als zusammenhängende Geschichte erzählt, sondern als Sammlung verbundener Kurzgeschichten, die nach und nach weiter in der Zeit voranschreiten. So deckt es einen Zeitraum von gut einhundert Jahren ab und kann sich trotzdem die Zeit nehmen, echte Nähe zu den Figuren herzustellen. Dabei entstehen Bilder – wie das der "City of Laughter" –, die mich noch lange begleiten werden.
On the first few pages, an ancient virus is released to the world. Then people start dying.
This is not so much a novel as a collection of short stories that are connected by the world, and sometimes share some of the characters. All stories deal with different aspects of how a pandemic plays out if it is really bad. There is no cure, no real treatment, people suffer, die, lose friends, family and hope, grieve. For 300 pages.
This might sound bleak, because it really is. Some of the stories messed me up a lot. But at the same time, the stories, how they relate, most of the characters, are fascinating and beautiful. So I do recommend this, but be warned that it can be tough.
Captures this stretched moment of trauma and grief in a series of chained short stories along a future plague's long trajectory. While every one of these is raw and centers horrific loss, ending, and predictable yet abrupt disconnections in the family and social fabric, somehow they are also beautifully sweet, often funny, and all too recognizable without polemicizing any of our current specific polarizations.
