enne📚 quoted The King Must Die by Kemi Ashing-Giwa
Alekhai had been having a just-okay week when his sister’s assassins arrived.
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Alekhai had been having a just-okay week when his sister’s assassins arrived.
Even if he could have said, to those who whispered, that he did not wish to be emperor--and he could say no such thing, trapped as he was behind Edrehasivar's mask--he would not have been believed. No one in the Untheileneise Court would ever believe that one could wish not to be emperor. It was unthinkable.
— The Goblin Emperor by Sarah Monette (The Goblin Emperor, #1)
This was one of the books up for the #SFFBookClub poll that didn't win. The airquotes downside of putting the polls together is that everything on there is something I want to read, so I end up reading them all anyway.
This book was pitched as "a generation ship novel in verse" and it delivered. It felt like such a fresh way to talk about old concepts, and its flowery imagery felt less out of place than it would have in prose. It could have stood to be more weird, but each point of view had striking and effectively different styles, especially in terms of format, but also in imagery and tone and pacing. Overall, the plot didn't strike me as being particularly novel, but it was enjoyable and that wasn't really why I was coming to this book in the first place.
This was one of the books up for the #SFFBookClub poll that didn't win. The airquotes downside of putting the polls together is that everything on there is something I want to read, so I end up reading them all anyway.
This book was pitched as "a generation ship novel in verse" and it delivered. It felt like such a fresh way to talk about old concepts, and its flowery imagery felt less out of place than it would have in prose. It could have stood to be more weird, but each point of view had striking and effectively different styles, especially in terms of format, but also in imagery and tone and pacing. Overall, the plot didn't strike me as being particularly novel, but it was enjoyable and that wasn't really why I was coming to this book in the first place.
Hey you! (Yes, you!) If you're seeing this, then you probably have an adjacent taste in books, so this could likely be of interest to you.
We're reading The King Must Die during this February for #SFFBookClub.
SFFBookClub is an asynchronous fediverse book club. There's no meeting or commitment. If this book looks interesting to you, then you can join in by reading it during February and posting on the hash tag #SFFBookClub with any feelings or thoughts or reviews or quotes.
More details: sffbookclub.eatgod.org/
Hey you! (Yes, you!) If you're seeing this, then you probably have an adjacent taste in books, so this could likely be of interest to you.
We're reading The King Must Die during this February for #SFFBookClub.
SFFBookClub is an asynchronous fediverse book club. There's no meeting or commitment. If this book looks interesting to you, then you can join in by reading it during February and posting on the hash tag #SFFBookClub with any feelings or thoughts or reviews or quotes.
More details: sffbookclub.eatgod.org/
The #SFFBookClub pick for February 2026
When I heard of this book--a generation ship novel entirely in verse--I was excited and felt some trepidation, because it can be easy for a technical feat like that to overshadow the story. Once I had it in hand and flicked through, I felt both of those things more intensely, because parts of the book employ the sort of creative layouts I associate more with zines than novels.
It turns out that all of that drives the story and characterisation with a singular focus. Even the wackiest-looking page layouts are a guide for pacing and mood, and work fantastically well. I am unusually tempted to just go back to the beginning and read the whole thing through again.
It is also an interesting story, and the three main characters are compelling. It made sense to mostly focus on them at the expense of the ship's crew, but at …
When I heard of this book--a generation ship novel entirely in verse--I was excited and felt some trepidation, because it can be easy for a technical feat like that to overshadow the story. Once I had it in hand and flicked through, I felt both of those things more intensely, because parts of the book employ the sort of creative layouts I associate more with zines than novels.
It turns out that all of that drives the story and characterisation with a singular focus. Even the wackiest-looking page layouts are a guide for pacing and mood, and work fantastically well. I am unusually tempted to just go back to the beginning and read the whole thing through again.
It is also an interesting story, and the three main characters are compelling. It made sense to mostly focus on them at the expense of the ship's crew, but at the end I was left a little frustrated that one question was never addressed: what would have motivated rank-and-file members of the first generation crew to sign up?
It is also a deeply Christian story, enough so that I feel like that needs to be a potential CW. But this is handled in a very interesting way that worked for me as a non-Christian reader.
About half a chapter in, and I can already tell this is going to be gloriously batshit. I think I mean that as unqualified praise, ask me again after a couple of chapters. #SFFBookClub
About half a chapter in, and I can already tell this is going to be gloriously batshit. I think I mean that as unqualified praise, ask me again after a couple of chapters. #SFFBookClub
Every Ray Nayler book is a philosophical conundrum wrapped in an ecological tragedy wrapped in a rad scifi story.
The framing of "point fives" is particularly thought-provoking given the steadily increasing number of news reports of llm-induced psychosis
The framing of "point fives" is particularly thought-provoking given the steadily increasing number of news reports of llm-induced psychosis
This society—what we call modern society, what we always think of as the most important time the world has ever known, simply because we are in it—is just the sausage made by grinding up history.
Someone said that people don’t really want to date other people. They don’t really want equal partnership—you know, two full people in a relationship. Two people with demands and desires and differences of opinion about everything. What they want is one-point-five people in the relationship. They want to be the complete one, the person who controls the relationship—and they want the other person to be half a person. You know, someone who gets them, but who doesn’t have their own demands. Someone who appears complete, with all these personality quirks and their own opinions and stories about the world—but not in an annoying way. Not in a way that would demand you change.
I have never read such a short passage that provides such deep insight into human behavior
The world still contains miracles, despite everything that has been done to it.
The great and terrible thing about humankind is simply this: we will always do what we are capable of.
The plastic awning of the café streamed with rain.
There are creatures in the water of Con Dao. To the locals, they're monsters. To …
The #SFFBookClub pick for December 2025