loppear reviewed Girl, Woman, Other by Bernardine Evaristo
layered and fairly limnal
4 stars
RIch chorus of struggling and striving and femininity in black British lives loosely connected.
Hardcover, 464 pages
Published Dec. 3, 2019 by Grove Press.
Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.
Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
RIch chorus of struggling and striving and femininity in black British lives loosely connected.
I was very ready not to enjoy this book. Made up of a set of short stories. Each one with a different character. It's bound to be difficult to really get into. Not a bit of it. The book still felt like a whole. Sometimes one story segues into another, other times it just the tone, the threads of thought, or contrasts between them. The chapters each focus on one person, mostly black women, and their personalities are different. Sometimes it feels a little caricatured, how complicated can you get in a few 10s of pages, but at the same time never too much and aren't we all somehow fitting one or other stereotype. A whole range of social topics: life in England as black, poor, rich, lesbian, non-binary... are played out and woven throughout the stories. An enjoyable and thoughtful read.
I’m very late to the afterparty, but hey. Got this as a present a while ago, but never got around to reading it. Thanks to sickness I finally made it. And what can I say. It’s wonderful. The language, the characters, the way Evaristo is able to paint their complicated, lovable, hatable, conflicted life stories. It’s a book about identity, about belonging and alienation, surviving and thriving.
Stunning stories. Such unique writing. I’ve never read anything else quite like it.
A magnificent novel that follows the interconnecting lives of a choir of characters in the United Kingdom. Evaristo writes in a poetic and sometimes fragmented style. I loved her voice and pen, and this book was a highlight of my reading list in 2021.
I loved this book, in part because in an earlier incarnation I studied feminist theater in London and this was so evocative of that world. It's big and messy in the ways that women's groups in that era were/are. And I'm still pissed that they made her share the Booker with Atwood
This book is a collection of portraits of women, all linked together around a play at the National Theatre. Each portrait is deep and interesting and real, it feels like falling deeper and deeper each time. I enjoyed it and I recommend it. It is written as an internal monologue, with minimal punctuation, which means it requires concentration, and it's quite long.
Thanks to NetGalley for sending me a copy in exchange for my review.