Never Let Me Go

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Kazuo Ishiguro: Never Let Me Go (EBook, 2009, Faber and Faber Ltd)

E-book

English language

Published Oct. 29, 2009 by Faber and Faber Ltd.

ISBN:
978-0-571-24938-1
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(8 reviews)

A clear frontrunner to be the years most extraordinary novel . . . Not since The Remains of the Day has Ishiguro written about wasted lives with such finely gauged forlornness.' Sunday TimesIn one of the most acclaimed and original novels of recent years, Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewered version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go hauntingly dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School, and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense of the fragility of life.

9 editions

reviewed Never Let Me Go by Kazuo Ishiguro

Never Let Me Go

Content warning premise spoilers

utterly relatable

The dystopian premise that's central but hardly the point narrows and sharpens this otherwise moving English boarding school story of childhood misinterpretations, loves, obsessions growing into adult reframing, acquiescence, and ailing concerns to an objective study of universal questions.

A Memory

Content warning Spoiler Alert.

Review of 'Never let me go' on 'LibraryThing'

On some level this is a deeply haunting book, confronting us with the people society leaves behind in a sympathetic first-person perspective. But the devices Ishiguro uses to achieve that effect also put me off the book itself. Without wanting to get too spoliery, the smallness of the narrator's world is kind of the point, but that doesn't change the fact that it's a slow paced book in a very small world, which I kept getting frustrated with.

Review of 'Never let me go' on 'LibraryThing'

On some level this is a deeply haunting book, confronting us with the people society leaves behind in a sympathetic first-person perspective. But the devices Ishiguro uses to achieve that effect also put me off the book itself. Without wanting to get too spoliery, the smallness of the narrator's world is kind of the point, but that doesn't change the fact that it's a slow paced book in a very small world, which I kept getting frustrated with.

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