A Wrinkle in Time (Madeleine L'Engle's Time Quintet)

Published Jan. 10, 2012 by Listening Library (Audio).

ISBN:
978-0-307-91657-0
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4 stars (9 reviews)

A Wrinkle in Time is a science fiction fantasy novel by American writer Madeleine L'Engle, first published in 1962. It is about Meg And Charles Walence. Their father, who was working on a interesting project called a tesseract, goes missing! Then they meet a boy and some strange women. This story won a Newbery Medal, Sequoyah Book Award and Lewis Carroll Shelf Award For this amazing story! It also has a movie! I Hope you all enjoy!

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Review of 'A Wrinkle in Time' on 'LibraryThing'

2 stars

I think I see why this is such an important book to many of my friends, but I didn't get on well with it. Part of the problem is definitely that I'm reading it as an adult and it's clearly intended for a significantly younger audience than the YA novels I've enjoyed over the past few years. But there's other stuff too.



The Meg-Calvin relationship developed without ever developing - like it was just inevitable that these two would have a super gender role normative relationship so there was no need to bother with exposition of it - and felt like it undermined her agency. The weirdly formal tone of most of the dialogue. The simplicity of "evil" in the book, which when its content was explored at all just felt like red scare propaganda, as if 1962 America didn't have its conformist, deindividuated suburbia. The occasional bursts of god-talk …

Review of 'A Wrinkle in Time' on 'LibraryThing'

2 stars

I think I see why this is such an important book to many of my friends, but I didn't get on well with it. Part of the problem is definitely that I'm reading it as an adult and it's clearly intended for a significantly younger audience than the YA novels I've enjoyed over the past few years. But there's other stuff too.



The Meg-Calvin relationship developed without ever developing - like it was just inevitable that these two would have a super gender role normative relationship so there was no need to bother with exposition of it - and felt like it undermined her agency. The weirdly formal tone of most of the dialogue. The simplicity of "evil" in the book, which when its content was explored at all just felt like red scare propaganda, as if 1962 America didn't have its conformist, deindividuated suburbia. The occasional bursts of god-talk …

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