Now a major motion picture starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant, and directed by Lana and Andy Wachowski and Tom Tykwer
A postmodern visionary who is also a master of styles of genres, David Mitchell combines flat-out adventure, a Nabokovian lore of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Umberto Eco and Philip K. Dick. The result is brilliantly original fiction that reveals how disparate people connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review
“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read …
Now a major motion picture starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant, and directed by Lana and Andy Wachowski and Tom Tykwer
A postmodern visionary who is also a master of styles of genres, David Mitchell combines flat-out adventure, a Nabokovian lore of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Umberto Eco and Philip K. Dick. The result is brilliantly original fiction that reveals how disparate people connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”—The New York Times Book Review
“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers
“Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”—People
“The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon
I liked following the different stories and bouncing back and forth between them. I'm not totally sure what the thread that wove them all together was, but the individual stories kept me reading and the book as a whole was fun to read. Having seen the movie before reading the books, I had already formulated pictures of what all the characters looked like, which was probably helpful since there were many to keep track of.
I can start this review by saying I was blown away, what a ride this novel was! It contains six unique stories that are interconnected. Every story is set in a different period, written in a different styles, like six different novels. We start with a 19th century seafaring story set in the Pacific, move on to a letter-style story set in Belgium in the 1930s. From there we move on to a political thriller with a compelling female protagonist in the 70s, a tragicomedy of a fairly unlikeable British guy trapped in a nursing home in our era, to fully blown dystopia set in Korea, to post-apocalypse in Hawaii, and then all the way back.
Like most dystopia, ultimately a depressing read, as the interconnected strands of story show that humans are pretty much terrible, and thirst for power, greed, it destroys, until there's almost nothing left. And even …
I can start this review by saying I was blown away, what a ride this novel was! It contains six unique stories that are interconnected. Every story is set in a different period, written in a different styles, like six different novels. We start with a 19th century seafaring story set in the Pacific, move on to a letter-style story set in Belgium in the 1930s. From there we move on to a political thriller with a compelling female protagonist in the 70s, a tragicomedy of a fairly unlikeable British guy trapped in a nursing home in our era, to fully blown dystopia set in Korea, to post-apocalypse in Hawaii, and then all the way back.
Like most dystopia, ultimately a depressing read, as the interconnected strands of story show that humans are pretty much terrible, and thirst for power, greed, it destroys, until there's almost nothing left. And even then, it goes on.
