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Chris Young

chris@wyrms.de

Joined 7 months ago

[Bookwyrm account] I love #fantasyfiction. Mastodon: oldbytes.space/@confusedbunny Avatar is from Little Monster's Word Book (Mercer Mayer)

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The Dispossessed (1994, Eos) 5 stars

The story takes place on the fictional planet Urras and its moon Anarres (since Anarres …

"My world, my Earth, is a ruin. A planet spoiled by the human species. We multiplied and gobbled and fought until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first. There are no forests left on my Earth. The air is grey, the sky is grey, it is always hot. It is habitable, it is still habitable - but not as this world is. This is a living world, a harmony. Mine is a discord. You Odonians choose a desert; we Terrans made a desert... We survive there, as you do. People are tough! There are nearly half billion of us now. Once there were nine billion. You can see the old cities still everywhere. The bones and bricks go to dust, but the little pieces of plastic never do"

The Dispossessed by  (Page 286)

Rather prescient writing about Earth!

Commodore: A Company on the Edge 3 stars

The engineers wanted to improve the colour on the chip. "It was the same thing with the Apple and Atari computers," explains [Bob] Yannes. "You would get interaction between the luminance signal, which is the black and white information, and the colour signal. So you would end up with these various colours on the screen which weren't really what you wanted, but it was just the nature of the NTSC video standard that the luminance and chrominance signals interact with each other." To purify the colours, [Al] Charpentier made a risky last minute change. "Al had the idea that if the two clocks were independent from each other, then that interaction wouldn't happen," says Yannes. "We separated the clock generators on the VIC chip so that the colour crystal was a separate clock from the video shift rate." The engineers noticed the default white on dark blue screen no longer looked appealing. "Even though it has good contrast, the transition from blue to white produced kind of an ugly edge," explains Yannes. "We ended up having to make it light blue on dark blue."

Commodore: A Company on the Edge by  (Page 412)

Bob Yannes (designer of the SID chip) explains why the Commodore 64 had default colours of blue on blue.