#ttrpg

My main complaint about this book is that it is too short. But then again, how could it be otherwise?

This book covers Tian Xia, an entire continent for #Golarion , the "default" campaign setting for the #Pathfinder #TTRPG . Just like the default "Inner Sea" region is vaguely inspired by Europe and North Africa, so is Tian Xia inspired by Asia, and does its best to make it an interesting region to play in. But Tian Xia is several thousands of miles in diameter, and this book has a mere 302 - and thus, each region and country on this continent will only get the briefest of oversights. Which for a detail-oriented setting junkie like me is frustrating, to say the least.

The authors of the various regional writeups did try to make the most out of their word count. We get a decent idea of what the local culture is like, and most regions have some good conflicts and other hooks for adventures and even entire campaigns around. However, there is a dearth of locations - each region is several hundreds of miles in diameter, but we only get three to four (briefly) described locations for each region. A GM who wants to run a campaign in one of these regions will have to do a lot of worldbuilding - which is not something I personally abhor, but if you plan to use this setting, then this is something you should keep in mind. I do hope that some of the authors of this work will publish more in-depth regional gazetteers using the Pathfinder Infinite Community Title program if Paizo doesn't support this setting further directly.

(Speaking of worldbuilding - is there a list somewhere of which real world culture inspired which region in Tian Xia? With some regions it was obvious even for me, but with others I would have to do some further research.)

Apart from the brevity, there were only a few parts of this book I wasn't fond of:

• Linvarre: A nation founded by "Western" colonizers who were welcomed as stabilizing force does not sit well with me, although I realize that this is a holdover from a previous edition where the editorial decisions were... less wise.
• The arcade games games in Goka, which were too anachronistic for my tastes.
• Quain: I don't mind martial arts as such, and have played a monk in my time, but a nation focused this much on martial arts is a bit over-the-top for my tastes. Other people's tastes might differ.

On the other hand, there were some real highlights:

• Po Li: Its worship of a vanished ruler is delightfully creep. "Trust the Eternal Emperor! The Eternal Emperor is your Friend!"...
• Tianjing: You could run an entire campaign focusing on preventing this land from becoming another Worldwound... or letting it happen and then have another campaign about containing it again.
• Kwanlai: I do love a good "underdog" tale.

To sum it up, I would strongly recommend this book to anyone who wants to run fantasy campaigns in an Asian-themed setting, and I hope this work will not be the end of the support for this region.

I really do appreciate that the authors were trying to explore settings with a different perspective than the pseudo-European/North American cultural base used for most #DnD settings.

But since this 224 page book is split up between 13 adventures and 15 cultures, the glimpses we get of each culture is so frustratingly brief. As someone who wants their settings to come with lots of details, this would make it difficult for me to bring the cultures in question truly come alive. In lieu of further detail, it might have helped if they had spelled out which culture each setting is based on - in some cases it was fairly easy for me to guess, but in others I was unsure.

I also have to admit, I prefer running campaigns where the PCs largely stay in one particular region rather than traveling around - and when they do travel around, there should be a good reason for why they are doing all this traveling. The 13 adventures in this book do not really have any real connection to each other than their presupposed home base (the Radiant Citadel) - the PCs just show up in some place for whatever reason the GM come up with, and solve some local problem.

Still, the brief glimpses I get of all these worlds are intriguing. And I am curious if any of the original authors have developed their miniature settings further on the Dungeon Master's Guild - I would certainly take a closer look! #ttrpg

The Ink That Bleeds is a fine zine about playing solo rpgs/ journaling game in a way that allows your subconscious lots of input. Paul Czege does a great job at telling how he arrived at this play style, explaining his thoughts on and analysis of it, and giving examples from his actual plays of various journaling games. The zine has a beautiful cover, a clean layout, and a nice feel to it.

The subtitle "how to play immersive journaling games" might be interpreted that Paul describes THE way to play these solo games immersively, but I'm not sure that's an interpretation he would agree with. I'm no expert at immersion, but I think other ways to immersive journal gaming experiences are possible.

That speculation aside, this zine is an introduction to a play style that sounds very interesting. Paul describes a stance and techniques that invite participation of your subconscious. I assume that even with practice, the outcome might partly have the surreal quality of dreams that don't adhere to the logical or narrative standards we're taught to expect, but that rather make sense at a deep, personal level that may need getting used to.

However, I totally want to try it out. Now I just need to find more time for journal gaming! #solorpg #ttrpg #journalgaming #sologaming #journalinggame