Messiness adds benefits to our lives, so why do we resist the concept so? Harford …
Plans, order & rationality are often counter-productive!
3 stars
The importance of randomness & spontaneity in creativity & problem-solving. Plans, order & rationality are often counter-productive! So don't beat yourself up about meeting simplistic measures of performance. The tech discussion is a bit dated, but the principles are extremely relevant to AI. Ginormous gender blind-spot.
Residents of Noage Itray could look up and see the ballcourt hanging ten miles overhead, …
She Commands Me and I Obey
3 stars
This is a short story in the Ancillary universe that gives a small piece of Breq's history in the Itran Tetrarchy, which is alluded to in other books. These tetrarchs use a religious ball game (which seems an explicit reference to Mayan ball games) to determine who will be the next leader, with the opposing captain being executed.
I think this would be a pretty good short story in its own right about backroom politics mixing with religion. But, in my mind, it suffers from including Breq, who appears too large on the page and we learn too few details about. I came into this with expectations that this would fill in a piece of Breq's past, but the extra details we learn are incredibly scant. I wonder if this would have been more satisfying if it had been stretched out to a novella with an additional point of view …
This is a short story in the Ancillary universe that gives a small piece of Breq's history in the Itran Tetrarchy, which is alluded to in other books. These tetrarchs use a religious ball game (which seems an explicit reference to Mayan ball games) to determine who will be the next leader, with the opposing captain being executed.
I think this would be a pretty good short story in its own right about backroom politics mixing with religion. But, in my mind, it suffers from including Breq, who appears too large on the page and we learn too few details about. I came into this with expectations that this would fill in a piece of Breq's past, but the extra details we learn are incredibly scant. I wonder if this would have been more satisfying if it had been stretched out to a novella with an additional point of view for Breq so that we could see her thoughts.
I will say it is also weird for this story to give pronouns for Breq in non-Radchaii language and to have Her-Breath-Contains-The-Universe describe Breq's body. On the other hand, what is gender to a several thousand year old part of a spaceship that used to have many bodies. Breq even says that she's "gotten used to be being called by whatever pronoun seems appropriate to the speaker", so I don't know that I'd read much into this. I was just surprised.
An exploration of life & death, love & fate, encompassing everything from his family history to HG Wells and the development of the atomic bomb. Damn he can write! The description of his near-death experience is mesmerising. Didn't fully come together for me, but suspect it will benefit from a revisit.
Fairly derivative YA fantasy: teenage girl crosses into a parallel world, where she becomes a fish-out-of-water at a school for talented students, and discovers she's the only one who can prevent the obliteration of humanity. Some ingrained patriarchy - why do female heroes always have to be hot? Totally needless. Nice enough but nothing special.
An attempt to enforce empathic behaviour creates stark divisions at all levels of society. Very effectively conveys the ambiguous ethics and the entrenched positions taken by opposing sides. Strong parallels with toxic masculinity and vaccination.
Darrow is a Red, a member of the lowest caste in the color-coded society of …
Is it a trope
4 stars
Started this series literally cause it is sci-fi on mars and talking about class conflict. This first book follows some really tired trends in sci-fi, overdone by YA fiction, of a school for youth who are trained in conflict to prove themselves. but this isn't a YAF booked, there is copious amounts of blood, the politicking, and alliances are more complex. It was definitely a slow burn for me where by the end of this first book i was invested enough finish the series.
a sneak peak to book two is I like it much better so consider working though it. Definitely a space opera for those who despise them, so you have been warned.
This feels like a book that needs two distinct reviews.
First, Emily Wilson's translation, which is wonderful. Just as Heaney moved Beowulf from "worthy work" to a fun read, Wilson's made The Odyssey eminently readable, while keeping it a formally structured long poem and apparently sticking scrupulously to the pacing of the original Greek. I had started reading other translations of this work but never actually finished them, so I'm delighted that this one now exists. And the maps, introduction, footnotes and dramatis personae all helped me follow a work that's heavy on reference and allusion.
But I have to say I didn't get on very well with the content. Some of it is delightful, from learning that Greeks have appreciated wine, olive oil and the sea for longer than much of the world's had written records, to all the descriptions that weren't about Odysseus himself. But there's a degree …
This feels like a book that needs two distinct reviews.
First, Emily Wilson's translation, which is wonderful. Just as Heaney moved Beowulf from "worthy work" to a fun read, Wilson's made The Odyssey eminently readable, while keeping it a formally structured long poem and apparently sticking scrupulously to the pacing of the original Greek. I had started reading other translations of this work but never actually finished them, so I'm delighted that this one now exists. And the maps, introduction, footnotes and dramatis personae all helped me follow a work that's heavy on reference and allusion.
But I have to say I didn't get on very well with the content. Some of it is delightful, from learning that Greeks have appreciated wine, olive oil and the sea for longer than much of the world's had written records, to all the descriptions that weren't about Odysseus himself. But there's a degree of repetitiveness to the language that grated--Wilson's introduction explains why it was so in a work written to be performed but it still took away from my experience of reading this as written text--a few too many passages that consist of just listing characters from other Greek myths to the point that they felt like the Torah's "begats", and by the end I found the character of Odysseus dislikable enough to not care about his fortunes.
I'm still glad to have read this. I didn't get anywhere near the exposure to Greek mythology that US schools seem to give, so much of the story was either new to me or connected dots that I'd picked up scattershot from English literature referencing them. And I have to say that I'm re-reading the Torah this year, which seems to be of approximately the same age, and found The Odyssey so much more sophisticated and compelling as a work of literature. But I can't exactly say that I like this story.
An approachable version of The Odyssey in a plain and modern English. Wilson matches Homer line-for-line, but compresses each line to a 5-beat iambic pentameter. Her language is chiseled, sometimes to a fault. But it adds up to a surprisingly quick, enjoyable, and morally engaging read.
Homer's most vivid images really shine in this rendering: "He saw them fallen, all of them, so many; / lying in blood and dust, like fish hauled up / out of the dark-gray sea in fine-mesh nets; / tipped out upon the curving beach's sand, / they gasp for water from the salty sea. / The sun shines down and takes their life away. / So lay the suitors, heaped across each other."
The text avoids justifying or masking immoral or questionable acts and practices. The word "slave" is used frequently, rather than euphemisms. Sometimes the translation strikes a judgmental note, like when the …
An approachable version of The Odyssey in a plain and modern English. Wilson matches Homer line-for-line, but compresses each line to a 5-beat iambic pentameter. Her language is chiseled, sometimes to a fault. But it adds up to a surprisingly quick, enjoyable, and morally engaging read.
Homer's most vivid images really shine in this rendering: "He saw them fallen, all of them, so many; / lying in blood and dust, like fish hauled up / out of the dark-gray sea in fine-mesh nets; / tipped out upon the curving beach's sand, / they gasp for water from the salty sea. / The sun shines down and takes their life away. / So lay the suitors, heaped across each other."
The text avoids justifying or masking immoral or questionable acts and practices. The word "slave" is used frequently, rather than euphemisms. Sometimes the translation strikes a judgmental note, like when the opening stanza says of Odysseus and his men: "He failed to keep them safe." Overall, I loved being invited to see these characters as flawed people in a flawed world, not as monuments.
Travel back in time for a little insight into the worldview & values of the ancient Greeks. Fickle meddlesome gods, male honour, rampant war and liberal violence, slavery & female subjugation. Easy flowing translation, though I sometimes lost the rhythm.
The eccentric detective Ana Dolabra matches wits with a seemingly omniscient adversary in this brilliant …
A Drop of Corruption
4 stars
This book reminds me a lot of the second book in Robert Jackson Bennett's Divine Cities trilogy. Both are set out in the hinterlands, with a different focus and locale than the first book, but crucially both are there to establish the thematic question for the series. Here, that question is around the human nature of kings and emperors, and the complicated human desire for them.
Unsurprisingly, this series continues to be solidly in the mystery genre despite being blended with kaiju fantasy worldbuilding. It opens with a locked room murder mystery (and a missing body), has a brilliant Moriarity-adjacent mastermind, and ends with a dramatic reveal. This was true in the first book as well, but I quite appreciate how the details and clues are meticulously laid out for the reader to spot; even when there is a "our investigator must go into a fugue state to find answers" …
This book reminds me a lot of the second book in Robert Jackson Bennett's Divine Cities trilogy. Both are set out in the hinterlands, with a different focus and locale than the first book, but crucially both are there to establish the thematic question for the series. Here, that question is around the human nature of kings and emperors, and the complicated human desire for them.
Unsurprisingly, this series continues to be solidly in the mystery genre despite being blended with kaiju fantasy worldbuilding. It opens with a locked room murder mystery (and a missing body), has a brilliant Moriarity-adjacent mastermind, and ends with a dramatic reveal. This was true in the first book as well, but I quite appreciate how the details and clues are meticulously laid out for the reader to spot; even when there is a "our investigator must go into a fugue state to find answers" moment, her revelations are all something the reader could have intuited themselves.
One friend who has been reading this series (and crucially has not read any mystery books) has been disappointed at the "small-ness" of the plot threads, where the climax is a mystery rather than a fantasy escalation, and the terror of the leviathans only looms in the distance. These books certainly do not have the escalation of ideas from his previous series The Founders Trilogy. However, following the Divine Cities example above, my prediction is that the final book is going to satisfyingly tie together the themes from the first two books while answering our questions about the nature of the leviathans and the silent Khanum emperor.
More fun times with the crime-solving (& committing!) pensioners. The stakes are higher but doesn't feel so fresh. A bigger role for the inscrutable Bogdan is welcome. Laughs off some pretty substantial abuse of the justice system.
The continuing story of Arthur, the second in a trilogy which began with THE WINTER …
Hard, dirty & cynical
3 stars
The Saxons threaten to overrun Briton; a search for a legendary artifact to bring back the Old Gods; a little blissful romance; Lancelot is a backstabbing, cowardly bastard; oaths, what are they good for? A touch more magic than in the first book, but just as hard, dirty & cynical.
When the redoubtable Sir Horace Stanton-Lacy is ordered to South America on business, he leaves …
More wit than romance
3 stars
A irrepressible cousin comes to stay and causes a great upheaval, but between cunning plans and good luck it all works out neatly. More wit than romance, but it does that well.
This is a book about the oppression of women by men.Men in a society have …
A familiar refrain in African literature
4 stars
Becoming a familiar refrain in African literature: girl fights for education & freedom against patriarchy & colonialism. This one, set in pre-independence Zimbabwe, might be the original (?) and the best, with carefully crafted & evolving characters. Ends very suddenly, though.