Reviews and Comments

A future where AI has created the perfect world without war, illness or death, and a select group keeps the population in check via 'gleaning'. Great premise but occasionally feels like a parody of itself and missed the opportunity for thought-provoking world building. Not much characterisation.

A murder mystery & coming-of-age story, with hefty lashes of abuse & racism, set in a small country town, 1960s Australia. Dark stuff, but leavened with teen romance and hilariously on-point best-mate banter (Jeffrey Lu is a legit superhero).

"It's the end of the world as we know it, but it doesn't have to be the end of the world." Provides an overview of the roots of the polycrisis (mostly separation & domination) and sketches out the shape of what must replace it: a grassroots democracy inspired by the systemic interdependency of ecology. Both reformism & revolution will just support the current, malignant system. Not much of it was new to me, but it provides a solid framework for many disparate ideas. Take the power back! (Disclaimers: I read this while low on brain juice, and Millie is thanked for her feedback in the acknowledgements.)

A homeless girl searches for identity while on the run from organised crime, expressing herself through art, finding solace in dreams of a glorious future, with support from Brisbane's idiosyncratic 'houseless' community. A rivetting, energetic story with a distinct & under-heard voice.

A lovely little story about an ex-adventurer who turns her orcish hand to opening a coffee shop. Everyone is nice except for the odd dickhead who provides narrative tension. Imagine the Discworld with hygge instead of satire.

Autobiography of an Indigenous woman who was taken from her family & country as a teenager and 'cared for' (i.e. exploited) by the Aborigines Department. She lived a life full of hard work and undeserved prejudice with grace & strength. Simply told but surprisingly engaging.

An enthusiastic dive into the compost pile. The history of the organic movement was particularly interesting, while the anecdotes of compost in social life were well-chosen and quite funny. As Danny Rojas would say, "Compost is life!"

A queer romance set in a space-faring future where humans have developed telepathic abilities. Two telepaths are thrown together by political expediency, and despite initial incompatibility (they are both very different sorts of neurodiverse) they build a strong partnership, and eventually love. The two protagonists are well portrayed, and very likeable despite their foibles.

A series of cloyingly moralistic tales from Jo's school of wayward boys, where love & kindness are all that's needed to create fine upstanding gentlemen.

Through the tragedy of Cyprus, explores the intergenerational trauma of civil war & exile. How the opportunity for a new life is unmoored from culture and weighed down by grief & guilt. I liked the fig tree as narrator.

An autistic woman decides she needs to learn how to have good sex, and falls big time for the escort she arranges to teach her. All a bit silly & obvious but reasonably well done, and the sex is explicit & steamy without being ridiculous. I do wonder if autistic traits can be magically turned off by Mr Right, though ....

A cynical take on the deep power of finance & capitalism in an age of rapid industrialisation. Numerous players (pawns) strive for 'power' with varying degrees of cunning & strategy. Provides his usual hefty dose of backstabbing and dry wit, and a touch less graphic violence.

A woman struggles for wholeness after her son commits an unspeakable crime. She finds it through building a labyrinth, and relationships with those that help. Very readable and engaging, but its deeper purpose evaded me.

A line of women connected by their suffering at the hands of psychopathic men, and their uncanny affinity for the natural world. Witchcraft wins.

(2 stars = it was okay)

The invasion of Ethiopia by Italy under Mussolini. Brutal violence and horrific use of modern weaponry against poorly armed but committed defenders. Operatic & impressionist, oft-times too much.