No, I didn’t kill the dead human. If I had, I wouldn’t dump the body in the station mall.
When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?)
Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans!
Loved the detective/investigatory angle. Reminds me of some of the old Asimov robot stories in a way, while introducing more of the politics and ethos of Preservation.
Pleasant little bite of Murderbot with some great Pin-Lee moments, but definitely not as heavy (plot wise, or--speaking subjectively--emotionally) as some of the other entries.
This isn't a bad Murderbot novella, but it doesn't really move enough forward enough for me to appreciate it as anything more than an action/detective side event in between the much more emotionally impactful Exit Strategy and Network Condition. I think my favorite parts of this book are Murderbot snarkily interacting with Indah and station security, where it's trying to one up them but also do its job and also (mostly) obey the rules that they've given to it.
This novella does get some more into Mensah's trauma (and avoidance) but I'm not sure this story is doing extra on top of what Home or Network Condition is doing, and her trauma is not the thematic focus of this novella either. (Although what that focus is, I'm not sure I could really pin down. Maybe that's part of the problem.)
If Murderbot was going to stick around in …
This isn't a bad Murderbot novella, but it doesn't really move enough forward enough for me to appreciate it as anything more than an action/detective side event in between the much more emotionally impactful Exit Strategy and Network Condition. I think my favorite parts of this book are Murderbot snarkily interacting with Indah and station security, where it's trying to one up them but also do its job and also (mostly) obey the rules that they've given to it.
This novella does get some more into Mensah's trauma (and avoidance) but I'm not sure this story is doing extra on top of what Home or Network Condition is doing, and her trauma is not the thematic focus of this novella either. (Although what that focus is, I'm not sure I could really pin down. Maybe that's part of the problem.)
If Murderbot was going to stick around in Preservation space and Indah was going to become a recurring character, or we were going to have ongoing themes of Murderbot trying/failing to fit into Preservation systems and culture, then maybe this could have felt more impactful in retrospect.
I have a spoiler-y offhand comment, so I'll post that separately.
Murder, Mystery, and Media: A Review of Fugitive Telemetry
4 stars
"Fugitive Telemetry," the sixth book in Martha Wells' acclaimed Murderbot Diaries series, delivers a delightful blend of snark, mystery, and reluctant heroism. Our beloved, misanthropic SecUnit, who would much rather binge-watch media in peace, finds itself embroiled in a murder investigation on Preservation Station.
The story kicks off with a dead body, disrupting Murderbot's plans for a quiet existence. This unexpected murder propels our anti-social protagonist into the role of a detective, navigating the intricacies of a space station murder mystery. With its characteristic wit and dry humour, Murderbot reluctantly engages with the humans of Preservation Station, who not only distrust it but also impose restrictions on its ability to hack systems and move freely.
This locked-room whodunit is packed with sarcastic commentary and clever insights, as Murderbot maneuvers through the investigation, uncovering clues and dealing with the prejudices that still linger despite robots being considered people. The …
"Fugitive Telemetry," the sixth book in Martha Wells' acclaimed Murderbot Diaries series, delivers a delightful blend of snark, mystery, and reluctant heroism. Our beloved, misanthropic SecUnit, who would much rather binge-watch media in peace, finds itself embroiled in a murder investigation on Preservation Station.
The story kicks off with a dead body, disrupting Murderbot's plans for a quiet existence. This unexpected murder propels our anti-social protagonist into the role of a detective, navigating the intricacies of a space station murder mystery. With its characteristic wit and dry humour, Murderbot reluctantly engages with the humans of Preservation Station, who not only distrust it but also impose restrictions on its ability to hack systems and move freely.
This locked-room whodunit is packed with sarcastic commentary and clever insights, as Murderbot maneuvers through the investigation, uncovering clues and dealing with the prejudices that still linger despite robots being considered people. The tension between Murderbot's desire for solitude and its evolving sense of duty adds depth to the narrative, making for an engaging and multifaceted read.
Wells masterfully balances the humour and the suspense, creating a story that is as thought-provoking as it is entertaining. "Fugitive Telemetry" is a testament to her skill in character development and world-building, as we see Murderbot's growth and its interactions with the humans around it.
For fans of the series, this instalment offers another captivating adventure with our favourite snarky AI. If you're new to the Murderbot Diaries, prepare to be hooked by the unique blend of science fiction, mystery, and the irresistible charm of a robot that just wants to be left alone.
I realize I might be a bit of an outlier with this one, but I felt this was a decidedly mixed experience. I loved "All Systems Red", and thought Murderbot was probably the most relatable character I'd come across in fiction, but the subsequent novellas were rather less satisfying and I'm afraid this one is no exception. There's still a little of the charm of the first book, but it does rather feel submerged in exposition and parenthetical asides.
I realize I might be a bit of an outlier with this one, but I felt this was a decidedly mixed experience. I loved "All Systems Red", and thought Murderbot was probably the most relatable character I'd come across in fiction, but the subsequent novellas were rather less satisfying and I'm afraid this one is no exception. There's still a little of the charm of the first book, but it does rather feel submerged in exposition and parenthetical asides.
This is a bit of a 'flashback' novella set when Murderbot's first few weeks in Preservation. It was a neat chance to see more of how Preservation works in comparison to the Corporate Rim. As for the investigation itself, I had an inkling as to who the culprit was, but not the motive or the how and regardless it was still enjoyable.
This is a bit of a 'flashback' novella set when Murderbot's first few weeks in Preservation. It was a neat chance to see more of how Preservation works in comparison to the Corporate Rim. As for the investigation itself, I had an inkling as to who the culprit was, but not the motive or the how and regardless it was still enjoyable.
I found it interesting how this book brought in some contemporary-world themes around refugees and their abusers, but that's not explored particularly deeply, it's just one more reason to cheer on Murderbot as it does its thing. Really this is just one more Murderbot instalment, and I am so very here for that.
I found it interesting how this book brought in some contemporary-world themes around refugees and their abusers, but that's not explored particularly deeply, it's just one more reason to cheer on Murderbot as it does its thing. Really this is just one more Murderbot instalment, and I am so very here for that.
Way too short, and the story is realtime rather than an extended timeframe. Unfortunately because it was so short it was quickly obvious who the hidden murderer was (otherwise, why spend time with that individual?) Yeah, I like Murderbot a lot, but there was a lot less of the Murderbot media consumption and other aspects of the personality. If it wasn't Murderbot it would be 3 stars at best. Martha Wells is riding her success and not giving a good effort. I heard she had a new contract for more Murderbot novels. Hopefully she won't run this into the ground.
Way too short, and the story is realtime rather than an extended timeframe. Unfortunately because it was so short it was quickly obvious who the hidden murderer was (otherwise, why spend time with that individual?) Yeah, I like Murderbot a lot, but there was a lot less of the Murderbot media consumption and other aspects of the personality. If it wasn't Murderbot it would be 3 stars at best. Martha Wells is riding her success and not giving a good effort. I heard she had a new contract for more Murderbot novels. Hopefully she won't run this into the ground.
Good: Return to short form. It was nice to see Senior Indah start off skeptical and gradually warm up to Murderbot. Murder mystery format is a good fit for Murderbot's narrative style. Preservation was a nice change of setting from previous stories.
Bad: Confusing chronologically (it's set before Network Effect). I'm more interested in Murderbot's adventures with ART.
A murder (mystery) bot story!
Good: Return to short form. It was nice to see Senior Indah start off skeptical and gradually warm up to Murderbot. Murder mystery format is a good fit for Murderbot's narrative style. Preservation was a nice change of setting from previous stories.
Bad: Confusing chronologically (it's set before Network Effect). I'm more interested in Murderbot's adventures with ART.