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Unlike the super-high-tech far future of her Wayfarers series, Chambers focuses on just the near-future of the human race. Seen from a team of exoplanet explorers surveying alien life, To Be Taught paints a future where governments fail in the mission to space but the human spirit leads ordinary people to crowdfund the mission instead. And when the interstellar mission outlasts human lifespans, government lifespans and even societal lifespans, Chambers leaves us with a deeply personal question, ask from both her perspective and that of the protagonist, chronologically ancient, barely human and too distant to ever return home: how much is space exploration worth?

It was amazing how stupid teenagers could be, Walden thought, with enormous, grieving fondness. She knew she wouldn’t change them for the world.

The Incandescent is a fun novella about a magic boarding school and its demon summoning problems, but from the perspective of an older teacher.

This book could have been a "gosh those teenagers" story, but I love that the narrator Saffy herself is an adult who remembers her own teenage failures and is able to bring a lot of compassion as a result. And also, she makes the same mistakes her teenagers do--she internally comments on their relationships while she's having her own awkward romance; she also makes mistakes from the same place of hubris that they do.

Because an elite education was an investment in power. Magic was the least of what you gained at Chetwood. What mattered was the power to walk the walk and talk the talk, to have your résumé picked out of the pile and the interviewer already speaking your language.

One component I liked about this book that I feel like gets skipped in a lot of stories like this is the worldbuilding around the privilege around attending a private magic school. Given that the narrator Saffy went to the school herself and then is now a teacher, I appreciate that we get the opposite of this in the marshal Laura Kenning who is shocked that kids can live in the postcard environment and feel like it's normal, all because they have rich parents.

(In the books about magic schools department, I think A Deadly Education does this really well too, although that book is more about how outside wealth and privilege reflect on standing inside the school and at graduation, but that also makes sense given its student point of view rather than the teacher perspective here.)

No sensible woman over the age of twenty-five felt anything but dubious in the face of a smiling posh chap with good cheekbones.

This book has a romance component, but it's pretty minor. Saffy is a workaholic and primarily the book is about her relationship with her work and her school and her past. If anything, I appreciate the romance more than a lot of other books. Saffy and Laura are staid and awkward in a way that feels authentic, and I will admit that I do like the progression of professionally butting heads to an eventual appreciation of each other's talents.

ALSO, let me repeat that the main character is nicknamed """Saffy"""; her two main love interests are: (1) butch lesbian with a motorcycle and a sword, and then (2) smarmy posh guy. We'll leave it to the romance experts to figure out where the cards fall on this one.

I found this a bit weaker than the first. Maybe because as a middle book in a series, the plot resolution wasn't as satisfying as in the first. Still, suspense and pacing were good.

Also I found the critique of colonialism a bit too on the nose, and even going wrong sometimes.

(I wish I had more to say about it, but I listened to this on low spoons/bad brain days.)

The transhumanism treatment was interesting and well done, might have carried the book for me more than the plot even.

A year and change ago, reading the Terra Ignota tetralogy, watching Foundation S1 and reading the Teixcalaan duology got me really fed up with reading about empires and emperors and the equivalence of both. I was happy to discover that, even though it does have an empire and an emperor in important roles, this book didn't hit the same notes at all.

(I'd like to have more to say about it, but I listened to this and the sequel on low spoons/bad brain days.)