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This is a historical novel about a small group of scholars (mostly of color) in Oxford in the 1830's, with an added fantastical element of magical silver powered by language and translations. Historically, it covers a modified industrial revolution, British colonialism, opium wars with China, and even gets into the Luddites, all impacted and warped by the British empire being powered by silver. What I especially appreciated is that the magic silver mostly just exacerbated issues and functioned as a metaphor for power in all of these historical situations; this is not a book about historical divergence due to magic but rather a book where the magic is used as a metaphor to reexamine things in a fresh light.

The idea of magic silver here powered by translations is just so well done. Scholars (and thus language) are extracted from colonies to power silver magic as a parallel to other resource extraction. The scholars are ultimately not really wanted for who they are but for the utility of what they know. And, I also love the detail that the empire is eating its own tail by its continual expansion and globalization weakening the magic. It reminds me a little of Yoon Ha Lee's Phoenix Extravagant where the magic system itself was intricately tied to colonial resource extraction.

It's a slow-building book that doesn't pull its punches about colonialism, racism, white folks siding with the establishment, or (as the subtitle to the book directly informs you) the necessity of violence. I enjoyed it quite a bit.

I really enjoyed this fantasy slash fairy tale quest story about a youngest daughter working to try to free her elder sister from abuse. It has fresh worldbuilding, many characters with depth, multiple older women characters, and ultimately a story about working together to free people from powerful and abusive men.

I think the weakest part of the book was the romance angle for me. It was cute, but I felt like I was missing some extra characterization about "why these two" other than just romance-through-proximity. This was all a bit of a surprise for me, as I quite enjoyed the various T. Kingfisher sad paladin romances. (One could make a good argument that Fenris may as well also be yet another sad paladin, which doesn't help here either.)

That said, I feel like the romance was an exceptionally small part of the book (arguably much smaller than other books in the same genre of story) and so don't let that put you off. I just feel like the story would have been more powerful had there not been as much understated flirting there and they had just been buddies working together to right wrongs (or even some explicit aro or ace angle, which is how I had been reading Marra the rest of the book).

I wouldn't describe this as a comedy book, but there were so many funny moments to the book that I had to hold myself back from posting a dozen quotes. I laughed so hard at the dust-wife's exasperation leading into her third impossible task (and it was such good characterization too). Overall, this was a lot of fun but I also found it to have quite a bit more depth than I was expecting.