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Brad Warner: Other Side of Nothing (2022, New World Library)

In the West, Zen Buddhism has a reputation for paradoxes that defy logic. In particular, …

Better than expected, but still rather frustrating

My previous attempts at reading Warner have rather run aground on, as I see it, his attempt to lighten Buddhist teachings, but that lean uncomfortably much on "...did I ever tell you I played bass in a punk band." Despite the opening autobiographical chapters, this book largely manages to steer clear of that, but then I'm left wondering what's left. Warner quotes pretty heavily from Dogen, plus more modern teachers such as Nishijima and Kobun, and then offers his own interpretations and personal commentary. Frustratingly, the quotes are only sometimes sourced, leaving the reader unclear where to go read more. Warner's commentary itself contains some gems, especially when he's being particularly humble, but it's not clear there's enough there to justify the reading.

Nicola Griffith: Spear (Hardcover, 2022, Tordotcom)

The girl knows she has a destiny before she even knows her name. She grows …

Good but... not great?

First the positive: I have a bit of a soft spot for retellings of the Arthurian legend, and this seems a particularly good one. Not only does it do a really good job of tying in Welsh/Irish life and legends, but much of the prose is beautiful and dense. The less satisfying aspects of the book, however, include the pacing and the incomprehensible motivations of some of the characters. Worst of all, though, is that the main character comes across as a bit of a Mary Sue and, while that kind of makes sense in the context of the story, it does feel a bit... I don't know, 'YA', which is very much at odds with the other aspects of the book. I guess I'd say that I'm glad I read it, but I'm also glad it's over :(

reviewed Fugitive Telemetry by Martha Wells (The Murderbot Diaries, #6)

Martha Wells: Fugitive Telemetry (Hardcover, 2021, Tor Books)

The security droid with a heart (though it wouldn’t admit it!) is back in Fugitive …

A mixed experience

I realize I might be a bit of an outlier with this one, but I felt this was a decidedly mixed experience. I loved "All Systems Red", and thought Murderbot was probably the most relatable character I'd come across in fiction, but the subsequent novellas were rather less satisfying and I'm afraid this one is no exception. There's still a little of the charm of the first book, but it does rather feel submerged in exposition and parenthetical asides.

Becky Chambers: A Psalm for the Wild-Built (EBook, 2021, Tom Doherty Associates)

It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; …

Cozy but thought-provoking

My first Becky Chambers book, and I think I finally understand the enthusiasm. Wonderful developing relationship between Dex and Mosscap, lots of nature, and woven throughout the story, and increasing towards the end, the struggle to find meaning in life.

Adrienne Buller: Value of a Whale (2022, Manchester University Press)

Public understanding of, and outcry over, the dire state of the climate and environment is …

Comprehensive and compelling

Buller's book takes the idea of assigning a monetary value to a whale ($2m, apparently) as a jumping-off point to consider how the promise of green capitalism -- that if we just eliminate externalities and assign monetary values to the natural world, everything will be fine -- goes horribly wrong. She carefully demolishes the promise of carbon taxes and carbon offsets, though much of the book goes on to discuss how the greening of asset manager capitalism, especially that espoused by the CEO of Blackrock, doesn't and can never work. The latter part of the book pivots from discussing carbon as the principal problem, to covering the loss of biodiversity and the supposed attempts to prevent this through, you guessed it, markets in conservation credits. Among the many, many great takeaways from the book are the insight that attempting to deal with the environment through markets inevitably means compressing all …

Ryka Aoki: Light From Uncommon Stars (Hardcover, 2021, Tor Books)

Good Omens meets The Long Way to a Small, Angry Planet in this defiantly joyful …

I loved it, but...

I can't remember the last time I read a novel that I felt so much. I love the characters, particularly the three central women, I love the story, wild though it is, I love the descriptions, and I love the ending. I felt invested in the characters' lives, particularly Katrina's, in a way I rarely do.

I'm not sure I can unequivocally recommend it, though. Ryka Aoki doesn't shy away from showing how hard Katrina's life is. The first few chapters are particularly tough going, but even when things pick up for her, it's still not all beer and skittles. Not sure I could provide a definitive list of CWs, but transphobia and sexual assault would have to be in there.

Geoff Dembicki: The Petroleum Papers (Hardcover, 2022, Greystone Books Ltd.)

In The Petroleum Papers, investigative journalist Geoff Dembicki tells the story of how the American …

Infuriating

Content warning canpol, climate crisis

Marlène Benquet, Théo Bourgeron, Meg Morley: Alt-Finance (2022, Pluto Press)

Powerful financial forces have supported the neoliberal project since the 1980s to advance their interests; …

Lots to think about

Content warning ukpol, brexit

Jack Reardon, Molly Scott Cato, Maria Alejandra Caporale Madi: Introducing a New Economics (Paperback, 2018, Pluto Press) No rating

Perhaps I should have expected this, given that it's pitched as an alternative economics textbook, but this is really pretty basic. If your previous reading has already made you familiar with, say, the Gini coefficient and some of the criticisms of GDP, I'm not sure there's much for you here. If you've no familiarity with economics, this would probably be a good place to start as it's at least much more human than other economics textbooks -- no seeing actual people as subordinate to supply/demand curves.

Mark Fisher: Capitalist Realism (EBook, 2009, Zero Books)

Capitalist Realism: Is There No Alternative? explores Fisher's concept of "capitalist realism," which he takes …

Is it me? Is it Mark Fisher?

No rating

This is the second book of Mark Fisher's that I've read (the other being "The Weird and the Eerie") where I have the feeling of the words washing over me, but just no idea of what's going on. I'll probably give it a re-read at some point, especially as it's so short, just to see what all the fuss is about, but I'm afraid this read pretty much made no impression.

Peter Ackroyd: The Casebook of Victor Frankenstein (EBook, 2009, Knopf Doubleday Publishing Group)

When two nineteenth-century Oxford students--Victor Frankenstein, a serious researcher, and the poet Percy Bysshe Shelley--form …

Gets much better in the second half

The first half was a bit of a slog, probably in part because it's a first-person narrative, with a narrator who's pretty unlikable. I was all set to give up on it, asking myself why I keep reading retellings of older stories. It picks up a lot in the second half, though, and the ending is IMHO a clever twist.

Shon Faye: The Transgender Issue (Paperback, Verso)

In this brilliant introduction to trans politics, journalist Shon Faye gives an incisive overview of …

Really good, for the right audience

Content warning transphobia

Nina Auerbach: Our Vampires, Ourselves (Paperback, 1997, University of Chicago Press)

This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England …

An experience, of some sort

I think I actually tried reading this a while back, but ran aground about 1/3 of the way through. This time went more smoothly, for some reason, but I'm left in a bit of a whirl as to what kind of experience that was. The book is structured chronologically, so the first 2/3 or so of the book covers vampires through Varney, Carmilla, and Dracula (really, really, quite a lot of Dracula), and does so pretty comprehensively. Things go a bit off the rails towards the end of the book, though, as Auerbach tries to draw links between US politics of the 70s and 80s and contemporaneous vampire fiction and films. She seems weirdly dismissive of The Gilda Stories and somewhat obsessed with Hammer films. This is exacerbated by a writing style that I can only really describe as 'stream of consciousness'. It feels like there's random thoughts just popping …