reading crustacean started reading Witch King by Martha Wells

Witch King by Martha Wells
Kai-Enna is the Witch King, though he hasn’t always been, and he hasn’t even always been Kai-Enna!
After being murdered, …
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92% complete! reading crustacean has read 23 of 25 books.
Kai-Enna is the Witch King, though he hasn’t always been, and he hasn’t even always been Kai-Enna!
After being murdered, …
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Am Fuße des Leuchtturms herrscht die Finsternis, aber darüber strahlt das Licht der Weisheit in die Ferne. Es sendet seine Botschaft von Einsamkeit zu Einsamkeit. Und diese Botschaft lautet: Du bist nicht allein.
— Die Insel der Tausend Leuchttürme by Walter Moers (Zamonien, #10) (Page 609)
hab viel über den indischen unabhängigkeitskampf gelernt. witzig geschrieben (mag mithu sanyals humor sehr), aber etwas langatmig und von der krimi-handlung war ich nicht so überzeugt.
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I can't remember the last time I read a novel that I felt so much. I love the characters, particularly the three central women, I love the story, wild though it is, I love the descriptions, and I love the ending. I felt invested in the characters' lives, particularly Katrina's, in a way I rarely do.
I'm not sure I can unequivocally recommend it, though. Ryka Aoki doesn't shy away from showing how hard Katrina's life is. The first few chapters are particularly tough going, but even when things pick up for her, it's still not all beer and skittles. Not sure I could provide a definitive list of CWs, but transphobia and sexual assault would have to be in there.
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We must learn how to look at a tree, not to perceive its present form in order to re-present it mentally and fix it by naming it. Rather, we must gaze at its being as living and changing. Now we designate a birch with the same name in the spring, the summer, the autumn and the winter, although this name refers to forms, colors, and even to sounds and to odors, which are absolutely different according to the time of the year, not to say that of the day. Using the same name to allude to the birch at any time, we remove it from its living presence and deprive ourselves of our sensory perceptions to enter into presence with it. However, is it not the mode of presence that our culture taught us to consider the truth? — a truth that asks us to give up our living perceptions. How could we, then, care about life, ours and that of the world?
From Irigaray, chapter 7: Cultivating our sensory perceptions