Tenth Anniversary Edition, 522 pages
English language
Published June 21, 2011 by William Morrow.
First published in 2001, American Gods became an instant classic—an intellectual and artistic benchmark from the multiple-award-winning master of innovative fiction, Neil Gaiman. Now discover the mystery and magic of American Gods in this tenth anniversary edition. Newly updated and expanded with the author’s preferred text, this commemorative volume is a true celebration of a modern masterpiece by the one, the only, Neil Gaiman.
A storm is coming . . .
Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, …
First published in 2001, American Gods became an instant classic—an intellectual and artistic benchmark from the multiple-award-winning master of innovative fiction, Neil Gaiman. Now discover the mystery and magic of American Gods in this tenth anniversary edition. Newly updated and expanded with the author’s preferred text, this commemorative volume is a true celebration of a modern masterpiece by the one, the only, Neil Gaiman.
A storm is coming . . .
Locked behind bars for three years, Shadow did his time, quietly waiting for the magic day when he could return to Eagle Point, Indiana. A man no longer scared of what tomorrow might bring, all he wanted was to be with Laura, the wife he deeply loved, and start a new life.
But just days before his release, Laura and Shadow’s best friend are killed in an accident. With his life in pieces and nothing to keep him tethered, Shadow accepts a job from a beguiling stranger he meets on the way home, an enigmatic man who calls himself Mr. Wednesday. A trickster and rogue, Wednesday seems to know more about Shadow than Shadow does himself.
Life as Wednesday’s bodyguard, driver, and errand boy is far more interesting and dangerous than Shadow ever imagined—it is a job that takes him on a dark and strange road trip and introduces him to a host of eccentric characters whose fates are mysteriously intertwined with his own. Along the way Shadow will learn that the past never dies; that everyone, including his beloved Laura, harbors secrets; and that dreams, totems, legends, and myths are more real than we know. Ultimately, he will discover that beneath the placid surface of everyday life a storm is brewing—an epic war for the very soul of America—and that he is standing squarely in its path.
Relevant and prescient, American Gods has been lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Michael Dirda, Washington Post Book World) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is, quite simply, an outstanding work of literary imagination that will endure for generations.
I read the 10th anniversary edition, which is longer than the original. It seemed a little slow at times and I think the original edition might be better.
Hugely entertaining book, full of weirdness and references - not only the gods themselves but I could see enough subtle little literary allusions to realise there must be many more there. Also some that I suspect may just be looking too hard, but oh well - they didn't detract anything from the book....
I love the broad ambition of this story, the multiple levels it runs on, and the ease with which Gaiman can switch between those levels. It suffers a little from trying to pack too much in. By the end I was a bit tired of new characters being introduced without development, and wishing a few of the subplots had been explored better. It's both telling and a good move that when Gaiman wrote a ~sequel (Anansi Boys) he picked up one of the second-tier characters from American Gods, fleshed him out beautifully, and told a much more …
Hugely entertaining book, full of weirdness and references - not only the gods themselves but I could see enough subtle little literary allusions to realise there must be many more there. Also some that I suspect may just be looking too hard, but oh well - they didn't detract anything from the book....
I love the broad ambition of this story, the multiple levels it runs on, and the ease with which Gaiman can switch between those levels. It suffers a little from trying to pack too much in. By the end I was a bit tired of new characters being introduced without development, and wishing a few of the subplots had been explored better. It's both telling and a good move that when Gaiman wrote a ~sequel (Anansi Boys) he picked up one of the second-tier characters from American Gods, fleshed him out beautifully, and told a much more focussed story with him. Anansi Boys ends up being a stronger book as a result.
A few references I'm wondering about:
About halfway through part one, there seemed to be a subtle allusion to Eliot's Journey Of The Magi. I'm not sure if it's either intended or real, but read or listen to the poem: www.poetryarchive.org/poem/journey-magi - it seems to fit, eh?
One thing I was left not understanding at the end was why Wednesday needed Shadow. It seemed that he could have orchestrated the whole con at less risk without Shadow involved, which was the one thing I found unsatisfying about the otherwise very clever ending. I read somewhere that Monarch Of The Glen explains more about who Shadow is, so I'm looking forward to reading that.
The two-man con idea feels like a wonderfully biting allegory about US politics. If so, then Gaiman was pretty prescient - it's a thing that has become much more obvious since.
The two-man con and its motivations also feels like an allegory about the "Clash of Civilizations" nonsense that has potential to be so self-fulfilling. I'm pretty sure this on my mind because I happen to have read the book in a week when anti-Muslim attacks in the US are more prominent in the news than usual, but I wonder if it wasn't also an intended message, given that the book was first published in 2001. But then... that crap didn't get much airtime until 9/11, and this book must have mostly been written before that.
And finally, I really want to learn more about Sammy Black Crow. I was expecting her to be more significant in the end.
Hugely entertaining book, full of weirdness and references - not only the gods themselves but I could see enough subtle little literary allusions to realise there must be many more there. Also some that I suspect may just be looking too hard, but oh well - they didn't detract anything from the book....
I love the broad ambition of this story, the multiple levels it runs on, and the ease with which Gaiman can switch between those levels. It suffers a little from trying to pack too much in. By the end I was a bit tired of new characters being introduced without development, and wishing a few of the subplots had been explored better. It's both telling and a good move that when Gaiman wrote a ~sequel (Anansi Boys) he picked up one of the second-tier characters from American Gods, fleshed him out beautifully, and told a much more …
Hugely entertaining book, full of weirdness and references - not only the gods themselves but I could see enough subtle little literary allusions to realise there must be many more there. Also some that I suspect may just be looking too hard, but oh well - they didn't detract anything from the book....
I love the broad ambition of this story, the multiple levels it runs on, and the ease with which Gaiman can switch between those levels. It suffers a little from trying to pack too much in. By the end I was a bit tired of new characters being introduced without development, and wishing a few of the subplots had been explored better. It's both telling and a good move that when Gaiman wrote a ~sequel (Anansi Boys) he picked up one of the second-tier characters from American Gods, fleshed him out beautifully, and told a much more focussed story with him. Anansi Boys ends up being a stronger book as a result.
A few references I'm wondering about:
About halfway through part one, there seemed to be a subtle allusion to Eliot's Journey Of The Magi. I'm not sure if it's either intended or real, but read or listen to the poem: www.poetryarchive.org/poem/journey-magi - it seems to fit, eh?
One thing I was left not understanding at the end was why Wednesday needed Shadow. It seemed that he could have orchestrated the whole con at less risk without Shadow involved, which was the one thing I found unsatisfying about the otherwise very clever ending. I read somewhere that Monarch Of The Glen explains more about who Shadow is, so I'm looking forward to reading that.
The two-man con idea feels like a wonderfully biting allegory about US politics. If so, then Gaiman was pretty prescient - it's a thing that has become much more obvious since.
The two-man con and its motivations also feels like an allegory about the "Clash of Civilizations" nonsense that has potential to be so self-fulfilling. I'm pretty sure this on my mind because I happen to have read the book in a week when anti-Muslim attacks in the US are more prominent in the news than usual, but I wonder if it wasn't also an intended message, given that the book was first published in 2001. But then... that crap didn't get much airtime until 9/11, and this book must have mostly been written before that.
And finally, I really want to learn more about Sammy Black Crow. I was expecting her to be more significant in the end.
This was a very interesting concept and a pretty good book. It's not among my favorites, but I can't quite point to anything that was particularly disappointing. Maybe I just felt a bit disconnected with the story having never lived or traveled through middle America.
Overall though, it's a good book and good read.
