American Gods (American Gods, #1)

Hugely entertaining book, full of weirdness and references - not only the gods themselves but I could see enough subtle little literary allusions to realise there must be many more there. Also some that I suspect may just be looking too hard, but oh well - they didn't detract anything from the book....



I love the broad ambition of this story, the multiple levels it runs on, and the ease with which Gaiman can switch between those levels. It suffers a little from trying to pack too much in. By the end I was a bit tired of new characters being introduced without development, and wishing a few of the subplots had been explored better. It's both telling and a good move that when Gaiman wrote a ~sequel (Anansi Boys) he picked up one of the second-tier characters from American Gods, fleshed him out beautifully, and told a much more focussed story with him. Anansi Boys ends up being a stronger book as a result.



A few references I'm wondering about:



About halfway through part one, there seemed to be a subtle allusion to Eliot's Journey Of The Magi. I'm not sure if it's either intended or real, but read or listen to the poem: www.poetryarchive.org/poem/journey-magi - it seems to fit, eh?



One thing I was left not understanding at the end was why Wednesday needed Shadow. It seemed that he could have orchestrated the whole con at less risk without Shadow involved, which was the one thing I found unsatisfying about the otherwise very clever ending. I read somewhere that Monarch Of The Glen explains more about who Shadow is, so I'm looking forward to reading that.



The two-man con idea feels like a wonderfully biting allegory about US politics. If so, then Gaiman was pretty prescient - it's a thing that has become much more obvious since.



The two-man con and its motivations also feels like an allegory about the "Clash of Civilizations" nonsense that has potential to be so self-fulfilling. I'm pretty sure this on my mind because I happen to have read the book in a week when anti-Muslim attacks in the US are more prominent in the news than usual, but I wonder if it wasn't also an intended message, given that the book was first published in 2001. But then... that crap didn't get much airtime until 9/11, and this book must have mostly been written before that.



And finally, I really want to learn more about Sammy Black Crow. I was expecting her to be more significant in the end.

Hugely entertaining book, full of weirdness and references - not only the gods themselves but I could see enough subtle little literary allusions to realise there must be many more there. Also some that I suspect may just be looking too hard, but oh well - they didn't detract anything from the book....



I love the broad ambition of this story, the multiple levels it runs on, and the ease with which Gaiman can switch between those levels. It suffers a little from trying to pack too much in. By the end I was a bit tired of new characters being introduced without development, and wishing a few of the subplots had been explored better. It's both telling and a good move that when Gaiman wrote a ~sequel (Anansi Boys) he picked up one of the second-tier characters from American Gods, fleshed him out beautifully, and told a much more focussed story with him. Anansi Boys ends up being a stronger book as a result.



A few references I'm wondering about:



About halfway through part one, there seemed to be a subtle allusion to Eliot's Journey Of The Magi. I'm not sure if it's either intended or real, but read or listen to the poem: www.poetryarchive.org/poem/journey-magi - it seems to fit, eh?



One thing I was left not understanding at the end was why Wednesday needed Shadow. It seemed that he could have orchestrated the whole con at less risk without Shadow involved, which was the one thing I found unsatisfying about the otherwise very clever ending. I read somewhere that Monarch Of The Glen explains more about who Shadow is, so I'm looking forward to reading that.



The two-man con idea feels like a wonderfully biting allegory about US politics. If so, then Gaiman was pretty prescient - it's a thing that has become much more obvious since.



The two-man con and its motivations also feels like an allegory about the "Clash of Civilizations" nonsense that has potential to be so self-fulfilling. I'm pretty sure this on my mind because I happen to have read the book in a week when anti-Muslim attacks in the US are more prominent in the news than usual, but I wonder if it wasn't also an intended message, given that the book was first published in 2001. But then... that crap didn't get much airtime until 9/11, and this book must have mostly been written before that.



And finally, I really want to learn more about Sammy Black Crow. I was expecting her to be more significant in the end.